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the Periodical Issues 1 to 7

thePeriodical_April13

Here is a picture of all the different publications that have been distributed amongst subscribers of the Periodical between October 2012 and April 2013. Each month at least one publication is chosen to be printed and sent out to subscribers, and we have also been adding other goodies sourced from our own archive of previous projects. Everything has been made and shared on bookleteer and can be found in its main public library, with the monthly issues featured in the Periodical library.

Our hope is to inspire subscribers and others to create and share even more fabulous publications on bookleteer, fuelling and driving the Periodical forwards into ever more eclectic domains. Subscribe here to become part of the story.

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the Periodical issue 7

periodical-issue7-april13
Issue 7 is now out and this month we’ve selected something with a nod to the historical moment this month has brought to people in the UK. Tor Lukasik-Foss’s The New Worker’s Songbook Songwriters Workbook for New Worksongs! is a playful guide to creating your own workers’ song, helping you through the process of writing verses, the chorus, rehearsing and performing. It was part of a 2011 collaborative project by DodoLab and Tor, commissioned by the Workers Arts and Heritage Centre in Hamilton, Ontario which was inspired by WAHC’s collection of books and recordings of songs that reflect Hamilton’s history of industry and organized labour. In addition to the songbook, the project led to an exhibition and several public performances using Tor’s Mobile Workers Song Cart.

From the Archives
This month we have distributed copies among the subscribers from a selection of books created for our City As Material 1 : London (2010) and Material Conditions (2011/12) projects. City As Material was a series of walks in London that produced collaborative publications by the participants. Material Conditions was a series of commissioned books made by creative practitioners reflecting on the state of personal creative practice in an era of recessions, austerity and funding cuts.

From Material Conditions,

From City As Material 1 : London,

SUBSCRIBE TO THE PERIODICAL HERE
Treat yourself to something lovely each month – an enigmatic, eclectic package of beautifully printed books dropping through your letterbox. Get inspired and create and share your own publications on bookleteer to take part too. We’re currently aiming to reach 80 subscriptions – with free copies of artists bookworks for every new annual subscriber, changing monthly.

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London Book Fair Special Offer

Since this week is the London Book Fair, we thought it only right we should offer something extra for any new annual subscribers signing up and quoting “lbf13” – a copy of the fabulous Endless Landscape Magnet set (in addition to the Professor Starling’s Thetford-London-Oxford Expedition and the Social Tapestries : Case of Perspectives sets). Hurry offers ends Friday 19th!

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Modern London Cries

london-cries-gallery
image courtesy of Bishopsgate Institute via Spitalfields Life

Artists Bookworks… Get Your Free Artists Bookworks…

We’re currently on a subscriptions drive for the Periodical – we estimate that we need about 100 subscriptions to break even on printing and shipping costs, and if we can grow beyond that we’ll be able to explore starting new series of commissioned books to be sent out alongside those we select from bookleteer’s public library. At the moment we’ve reached 40 subscriptions – 19 new ones in the past 4 weeks. Each month we’re setting a goal to aim for, and offering (for new annual subs) a different free artists bookwork from our back collection, alongside the “Social Tapestries: Case of Perspectives” which we’ll send out while stocks last. Last month we sent new subscribers a copy of our deck of cards, “Being in Common Catalogue of Ideas“, which we created as part of a commission for Gunpowder Park back in 2008. This month, aiming to reach 60 subscriptions, we’ve selected an artists bookwork we made last year with our friends at DodoLab, Andrew Hunter and Lisa Hirmer, artist Leila Armstrong and curator Josie Mills, Professor Starling’s Expedition : Thetford-London-Oxford.
CAM2Lo

Why Subscribe?
Three reasons, really. Firstly, and most importantly, its about inspiration, surprise and delight. Each month you’ll receive a package of something engaging, challenging or simply lovely through the post.

The bookleteer Periodical subscription is a treat because the monthly arrival is always suprising, ranging from quirky to poetic. These little editions are like a monthly book art present. This is a great subscription for anyone who would enjoy a thoughtul miniature periodically arriving though their post box.
Luci Eyers, Artist & Subscriber

Secondly, its about a community of readers and makers who can participate in an evolving and expanding project of making and sharing ideas – responding to the things you receive in kind by making and sharing your own publications on bookleteer. Not the knee-jerk reactions and comments so commonly found on social media, but a space and place for considered, elegant ripostes and rejoinders.

Responsive, spontaneous and not too concerned with being A Significant Addition to One’s Great Works; that’s a great place to start from. From play can spring a lot of possibilities. Bookleteer has been a new game, where the next move is always unknown but the consequences useful. The usual finality of publishing is made obsolete by the mutuality of the provisional publication, always open to improvement and rethinking. I like to receive a regular dose of the unpredictable: I’m not too proud to borrow and not too selfish to share.
Gair Dunlop, Artist & Subscriber

And lastly, its about resilience and sustainability – bookleteer is unfunded and supported entirely through donations from its users and sales from the Short Run printing service. The Periodical is our way of inviting users to share in supporting bookleteer rather than charging for using it. If we get enough subscribers we’ll be able to consider more ambitious parallel projects, such as commissioned series, too.

If those sound like good reasons, subscribe here.

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Seeking Sponsors for bookleteer

Could You Help?

We are urgently seeking sponsors for bookleteer to help us cover the basic costs of hosting and maintenance and to continue our programme of enhancements and developments. We’re looking for supporters who share our ethos and drive to help communities across the world benefit from the simple, yet dynamic, communication possibilities that bookleteer offers.

Our long term aim is to make bookleteer financially self-sustaining and we’ve made reasonable progress towards achieving this, but Proboscis’ loss of core funding from Arts Council England in 2012 means we cannot continue to support bookleteer from our own dwindling resources for much longer.

What’s So Special About bookleteer?
Bookleteer is unlike other e-publishing platforms in that it has been evolved and created by artists, building on innovations we began back in the late 1990s and have doggedly pursued ever since. Our aim has always been to enable “public authoring” – the sharing of people’s ideas, knowledge, experiences and visions – for as many people as possible, breaking down the traditional barriers in publishing requiring access to capital and distribution channels.

Our model of Shareables bridges the traditional world of paper with that of the digital, enabling publications made with booketeer (both Diffusion eBooks and StoryCubes) to move back and forth between the physical and digital. The evolution of the formats and bookleteer has been consistently achieved through an organic process of co-creation and co-design with participants in our projects and activities – learning by doing and making incremental, iterative improvements.

What’s In It For Sponsors?

    Supporting Social EnterpriseProboscis is an independent non-profit organisation. Other than a small Technology Strategy Board Feasibility Grant in 2008, we have developed and maintained bookleteer from our own resources, donations from members and supporters, and revenue generated from the Short Run printing service. Our social enterprise model presents opportunities for corporate social responsibility through direct financial support as well as in-kind support (marketing, mentoring, secondments etc).
    Enabling Grassroots Sharing – bookleteer is about enabling as many people as possible, wherever they are, to be able to make and share their stories, knowledge, experiences, artwork, information in formats that can be distributed freely, both digitally and on paper. bookleteer now has over 750 members and every year hundreds of thousands of copies of Diffusion eBooks and StoryCubes are downloaded and shared across the world. Our projects, where we often use bookleteer, take place in sites as varied as schools, museums, beaches, local community centres, universities, mountains, galleries and even remote jungle villages!
    Kudos – Over the years Proboscis has built up international visibility and a reputation for invention and innovation across many fields, sectors and disciplines. We have collaborated with leading universities (e.g. London School of Economics, Royal College of Art, University of Cambridge), industry (e.g. Philips, Hewlett-Packard, Orange, France Telecom) as well as government departments (e.g. UK Ministry of Justice, Department of Trade & Industry), public agencies (schools, local authorities etc) civil society organisations and grassroots communities in the UK and abroad. We’re good at making connections between unusual partners, at bridging the yawning gulfs between people and organisations who wouldn’t normally consider working together.
    Supporting New Creative Work – Through the Periodical we are developing a new kind of participatory publishing, building a community of contributors and readers. There are opportunities for sponsoring new series of commissioned publications to grow alongside and as part of its evolution – we’re keen to talk to both sponsors and partners who’d like to get involved in this initiative.

What’s Next?
We are constantly exploring new uses for our platform and formats, such as the work we have recently begun with a traditional jungle-based community in Papua New Guinea to help them record and share their knowledge and experience of living with and being part of their local environment – for their children, their neighbours (near and far) in PNG and everyone else. Or our Neighbourhood Ideas Exchange workbooks based on collaborating with local people in Pallion, Sunderland – part of a toolkit we’re creating for people to help organise local ‘knowledge networks’. In doing so, we are discovering new needs, technical limitations and the potential to improve what bookleteer offers.

We are already planning a range of new features we can implement to make bookleteer useful to communities in remote locations such as Papua New Guinea, features that will of course bring benefits to communities elsewhere too. And in the next few weeks we’re launching other new features that have been in development since last summer.

With regular, reliable support we could achieve so much more. If you are interesting in sponsoring or supporting bookleteer, please get in touch direct with Giles Lane.

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Workbooks for community knowledge networks


Last year Proboscis collaborated with a group of local people and a community run centre (PAG) in Pallion, Sunderland to co-create and co-design a sustainable ‘knowledge network’ that could help people respond to the bewildering array of changes taking place in the benefits system. Our project became the Pallion Ideas Exchange (PAGPIE) – weekly meetings and get togethers run by and for local people to help each other identify and address problem, share information and experience and help share the results with others in the community. A key part of our collaboration (the project was also part of the Vome research project led by Dr Lizzie Coles-Kemp at the Information Security Group of Royal Holloway University of London) was the tools we designed to help the community think through not only how they could identify problems and opportunities, but also how they could figure out what they as individuals and as a group already knew and could share with others. All the tools were designed to be easily produced/reproduced using standard office stationery or, in the case of the larger posters, could be cheaply printed at a local copy shop. Everything was also designed to be easily captured for sharing on the web via blogs, twitter, facebook etc – in whatever way was both safest and most appropriate for the local community.

We devised simple workflows, diagrams and ‘thinksheets’ as well as developing some workbooks and notebooks that individuals could use – all made with bookleteer. We printed up a batch of each using the Short Run printing service, but a key part of the design was that anyone could easily download, print out and make up more copies if they needed to, or the centre could easily order more printed copies as and when they had funding.


We are now creating generic versions of all these tools so that anyone else can set up their own version of a Neighbourhood Ideas Exchange (NIE), can download and make up the notebooks and other tools. We’ve completed versions of the existing 4 notebooks – Experiences, Managing a Problem, Communicating a solution online, Things To Do – and are writing a general guide to the toolkit and NIE concept.

We’ve also been condensing our experiences working in Pallion, as well as many years experience working with other communities both here and abroad, into a playful set of StoryCubes designed to help communities, facilitators and organisers think through the different kinds of steps needed for something like a neighbourhood ideas exchange or other community network. We’re hoping to have the whole toolkit finished in time for the AHRC Connected Communities Showcase on 12th March, where we’ll be showing materials created for our other collaboration with ISG on the Hidden Families project.

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Material Conditions: Epilogue

Last December we published Material Conditions, a set of eight commissioned books exploring what it means and takes to be a professional creative practitioner. Inspired by the title of a behind-the-scenes blog post which followed, we’ve added a new chapter to the series, continuing a discussion which seems ever more relevant in the current climate.

Material Conditions: Epilogue is both a companion to those books – for those who read it, for the artists involved – and, as a pleasant paradox, an introduction for those who are not familiar with them. Five of the original contributors – Sarah Butler, Jane Prophet, Karla Brunet, Janet Owen Driggs & Jules Rochielle and Ruth Maclennan – have created new pieces for this publication, as they look back on the series, reflecting on their book and those by the other artists. Far from mere commentary, these responses are works in their own right, and are as poetic and profound as the initial eight books.

It’s also the first publication to launch the Periodical, to suggest the kind of iterative and experimental forms we hope to see being made and shared with bookleteer. As Giles stated eloquently in his ‘manifesto of sorts’, we’re striving for publishing as conversation; despite the finality of its title, this book can be seen as only the most recent part of a process. Here’s hoping for more.

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Recording & Sharing Traditional Ecological Knowledge

This week I’ve spent a couple of days in Scotland with James Leach, Professor of Anthropology at the University of Aberdeen working on ideas for recording and sharing Traditional Ecological Knowledge (TEK) in the field through hybrid technologies and tools. We are taking part in a symposium at the University of Goroka, Papua New Guinea (PNG) in late October, before travelling to Reite village on the Rai Coast (Madang Province) where James has done field work since the early 1990s.

James and I have been building on conversations we’ve had over the past 4/5 years, and on top of some earlier work together as part of the British Museum’s Melanesia project. A case study explores how we used Diffusion eNotebooks to record the experiences of two Reite villagers – Porer Nombo & Pinbin Sisau – when shown hundreds of objects in the BM ethnographic collection from their area. Bookleteer and the eBook formats proved highly adaptable and useful in this process, allowing us to record interactions on the fly – both in writing and in capturing photographs of the social interactions of the project. We used digital cameras and printed out small photos using a Polaroid PoGo printer to stick directly into the eNotebooks which, once complete, were scanned in and posted online. Some months later we also used bookleteer to print up a short run edition of the 4 eNotebooks which were used in conferences and taken back to the village.

Our conversations this week have focused around themes of process, notation and sharing. Papua New Guinea is perceived as very poor in western economic terms, yet abundant with culture and the natural world. There is a great deal of sensitivity about how indigenous knowledge – of plants, places, wildlife and culture – is both presented and shared. Who benefits? To what, if any, degree does sharing more knowledge help preserve the delicate environment from exploitation and extraction? Why and how local people might wish to record and share their own knowledge to be communicated to outsiders in ways that protect their culture and environment is at the core of this issue. What value, if any, might come to local people from annotations of their knowledge by outside ‘experts’, such as botanists and naturalists in identifying species? Might this lead to just further exploitation and depredations of natural resources?

James and Porer have already published a unique collaboration – Reite Plants – which mixes local knowledge of the flora around Reite village with social and cultural knowledge. It is also written in both English and Tok Pisin, the local creole language. This is seen as a model for working together to share knowledge that situates the plants within the lived culture of Porer’s village and at the same time fulfilling western demands for scientific classification, but without delving into complicated and thorny issues such as para-taxonomy or bio-prospecting.

James and I have been discussing how hybrids – such as bookleteer and the eNotebooks – can be used as part of a co-creative and co-designed process that enables people to use simple tools and technologies, especially ones that are readily available in PNG, to record and document what they know. Starting from the simplicity of the eNotebook format, we’ve been thinking about what kinds of process and social engagement with local people could be explored that would allow material to be created and collected in ways that allow further reflection and addition. We have been thinking of accretive processes that build up and layer the complexly interwoven customs, practices and traditions in ways that reflect the whole culture, not just individual elements that can quickly be consumed, Indigenous Public Authoring for Traditional Ecological Knowledge (IPATEK). Perhaps this itself might be another form of ritual, of patterning knowledge and experience through overlapping notations?

What excites me is the opportunity I have been offered to explore these ideas both in the context of the symposium and in Reite village itself. No doubt the ideas we have cooked up in Scotland will be transformed again and again as they evolve in our conversations and collaborations in PNG with both other thinkers and academics and local people who live within their own indigenous ‘knowledge’ and for whom its enactment is always immersed within the practice of their everyday lives.

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Back to everyday life!

Its been a sensational summer on so many levels and in so many ways. To celebrate we’re offering a special 10% discount on bookleteer Short Run Printing costs from today until the 30th September (n.b. : can’t be added to any additional discounts or offers). Use this discount code BTEL-092012 when ordering.

Why not use bookleteer create your own record of what you’ve seen and done this summer – here’s one I created from a visit to the hauntingly beautiful Achamore Gardens on the Island of Gigha this summer.

Super Cheap StoryCube ‘Taster’ Packs
We’ve put together 25 ‘taster’ packs of blank StoryCubes – containing 8 medium and 8 original size cubes) for just £5 plus post and packing.

It super easy to create storycube layouts with bookleteer and print them onto sticker sheets which can be cut out and stuck onto the pre-cut and scored card cubes. Lots of fun for sharing your memorable moments or building up blocks of memories for storytelling and games.

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the Periodical : setting the scene #1

I am delighted and proud to introduce the first of our friends and colleagues who have agreed to take part in this experiment in conversational, relational publishing. They’ve all agreed to publish at least one eBook with bookleteer over the next 12 months which will all go into the wider selection pool from which we will source the monthly issues. This is neither an exclusive group, nor people who necessarily know each other – they are all people with whom I have worked over the past 15-20 years and whom I admire and respect. They are all people who walk their own paths…

Kate Pullinger (writer and digital innovator)

In a world where publishing distribution models are broken, the idea of ‘spreadable media’ – media that gains value as it is shared through peer networks – is more relevant with every passing day; the Periodical will open up participation and conversation in new and unanticipated ways.

Fabien Girardin (researcher, engineer & entrepreneur)

We live in a world of living data. Data that are constantly changing and accumulating. Data that feed conversations rather than decisions. Bookleteer offers an opportunity to embrace this evolution and produce unique publications that constantly evolve.

Tony White (writer)

I have been involved with Proboscis’s excellent bookleteer project in various ways and capacities since its inception, including working with Proboscis to publish a series of short stories arising from my 2009 Leverhulme Trust residency at the UCL School of Slavonic and East European Studies. I have done so because of my broad agreement with bookleteer’s clearly open and radical ethos, and because of what it offers to writers, artists and readers: a defiantly trailing edge e-publishing format which despite apparently low-tech underpinnings nonetheless remains sharply and continuously innovative. Indeed it is Proboscis’s (and the bookleteer format’s) continued capacity for evolution that makes this latest experiment possible; a new way of bringing bookleteer’s writing and reading communities together. For this reason I am delighted to have been invited to participate in the Periodical and I will continue to make it my business, both as a writer and as a reader, to use and to support the bookleteer project.“

Robin Rimbaud (Scanner) (musician/sound artist).

“At a time of digital transience I am drawn back to the real, the physical. I am keen to be part of this project because it offers something very unique, special, desirable, to those who wish to immerse themselves in a timeless work of art. Words and images can resonate far beyond the span of a page but to return to that very same page again and again and relive it is something to treasure.”

I’ll post again soon with more quotes from others who’ve also agreed to take part – if you would like to find out more and take part, please read my “manifesto” for the Periodical, sign up to bookleteer and get bookleteering.

Excited by what you read? Subscribe here.
Update : check out the new bookleteer Library page to browse what people have made.