I have been blogging about creative portfolios recently, with the notion of ‘standing out from the crowd’ as my backbone. This is also relevant to CV’s. Just like a portfolio, you have to stand out from the crowd to get noticed! I came across two fantastic CV’S which mimic a London tube map, and instead of different stops, each coloured line represents a category such as qualifications or education and each ‘stop’ is what the person has achieved or what skills they have or what clubs they belonged to.
On Jonathan Kaczynski CV, the Piccadilly line has been transformed into ‘Education ‘ a timeline reflecting his progress throughout education and the ‘Circle line’ shows off his extra curricular activities, wheres as the longer ‘District line’ demonstrates his computer skills.
However, each line on Kevin Wang’s ‘tube map CV’ reflects places he has worked instead of different categories like Kaczynski’s. It doesn’t matter which way this format is set up, I’m a fan either way! Just how the purpose of a tube map is to figure out how to get you to places, one destination to another, this format for a CV I feel may reflect the same purpose – moving from one job to another, trying to gain more and better skills to get yourself to that next destination – a higher paid job or to become more qualified . An interesting concept, one which I may use myself in the future.
As I have mentioned in my previous posts, I like a portfolio which can be hand-held, something I can touch and feel. However I do agree that online portfolios are essential due to its accessibility and sharable factor, as well as the digital side too, including motion – videos, films and so on. So when I came across an article about my recent discovery I was over the moon that someone has created a mixture of online and hand-held portfolios! How, I hear you ask? Simple, the iPad. In my eyes, the 9.5 inch by 7.31 inch tablet has seemingly revolutionised portfolios.
D.Currier’s article I found on ‘A Portfolio Book for the 21st Century’ talks about something which I have not seen before and is a concept binding the online world and ‘real life’ together perfectly! Sean Busher created a portfolio where an iPad has been embedded into the actual portfolio itself, which not only sounds weird and wonderful but looks great too!
Busher has not only embedded an iPad into this rectangular box, but he also created an app showing only his work and the app is the only item on the iPad. I think the motion on the iPad along with the imagery in the portfolio book compliment each other really well and brings his work to life. As the article mentions, this is a fantastic way for artists who are showcasing their work which include both still work and motion. I also love the colour – the bright zingy orange in contrast to the black works well! Along with its ability to also be shipped due to the structure of the box, this really is ‘a portfolio book for the 21st century.’
Jesse Rieser has also used this concept of bringing print and digital together through the use of an iPad and a portfolio book. What I like about Rieser’s portfolio, apart from the iPad, is the colour scheme applied to different categories of his work, which continues on his website too. The pocket inside the portfolio book which securely hold his business cards is a nifty little touch too!
I’m glad I’ve finally found a portfolio which has the best of both worlds, print and digital, a concept which will definitely make portfolios more interactive and creative.
It is now a year since we launched the short run printing service so now seemed like a good time to reflect on what people in different areas have been using the printing service for. In this post we reflect on its use in two projects connected to the British Museum.
Julie Anderson, the Assistant Keeper of Egyptian and Sudanese Antiquities at the British Museum used Bookleteer to create 1000 books in Arabic and English about the 10 year Sudan excavation to share the findings with the local community in Sudan.
Following the distribution of the book, teenagers began coming to our door in the village to ask questions about the site / archaeology / their own Sudanese history… connecting with their history as made possible through the booklet. It was astonishing. More surprising was the reaction people had upon receiving a copy. In virtually every single case, they engaged with the Book immediately and began to read it or look through it….The Book has served not only as an educational tool, but has empowered the local community and created a sense of pride and proprietary ownership of the ruins and their history.
Bookleteer was used in the Melanesia Project to record, Porer and Pinbin, indigenous people from Papua New Guinea discussing objects in the British Museum collection. Bookleteer was used first to create simple notebooks that were printed out on an office printer and handmade. Anthropologist James Leach used them to note the discussion in both English and Tok Pisin, next to glued in polaroid images, to produce a record that involved;
capturing the moment of what we were doing and what we were seeing.
Once filled in, the notebooks were scanned and professionally printed to share with the local community in Papua New Guinea (who have a subsistence lifestyle without electricity).
“[…] As something to give people, they’re an extremely nice thing. People are very keen. I also took some to an anthropology conference before I went [to Papua New Guinea] and would show them to people and they’d immediately say “Oh, is that for me?” People kind of like them. They’re nice little objects.”
Researcher and community education worker Gillian Cowell has used the books as part of a community project with Greenhill Historical Scoiety:
“I think, for community work, it’s really important that you engage in much more unique and creative and interesting ways as a way of trying to spur some kind of interest and excitement in community work […] The books are such a lovely way for that to actually fit with that kind of notion.”
Bookleteer is an online service to help you create and publish booklets and StoryCubes. It’s simple, quick and free – print and make them in minutes using only a pair of scissors, or share them online, anywhere there is an internet connection, computer and standard inkjet or laser printer.
Similar to the Jesse Willmon online portfolio I blogged about previously, I have come across another fun and imaginative online portfolio. As I describe what is a ‘virtual bookshelf’ portfolio, I really like the idea here of searching through the mounted bookshelf and being able to click on the specific illustrations. These range from a variety of books which illustrates Foxie’s work from print and web to ‘about.’ If you want to give any feedback or read up about awards the graphic designer has been given you simply click on the pictured telephone or the shining golden trophy – fun and playful! Additionally, there’s a delightful picture of Foxie in a virtual photo frame hung above the bookshelf, which once clicked on gives a short snippet of what she is all about.
Once clicked on your desired interest, there is a wonderful large picture frame hanging from the bookshelf which displays an example of the work as you click through the list beside on the left hand side of the frame.
I like the way this has been designed. Everything is on one page, without being taken away to another page once clicked. Each graphic makes me curious, leading to me wanting to click and find out more. I think this concept works and is a fun, adventurous and creative portfolio.
I visited the Central Saint Martins Fashion and Photography Degree Show last night, down over on Charing Cross Road , and I must say what an experience! I have never been to anything like this before so I was really excited to see what was waiting for me.
Firstly I was taken back by the building itself – the dark, old, worn out exterior didn’t reflect the inside. Even though I was also surprised by the interior, the decor behind the exhibition itself, I was very inspired by what I saw and knew I was in the midst of something quite special, especially being in the same space which elevated Alexander McQueen and the likes of Stella McCartney, Zac Posen, Paul Smith and Hamish Bowles – editor at large at Vogue (wow!!!). Knowing this was where such influential people in fashion studied, created such fantastic pieces and walked the same corridors, touched me in a very special way.
As I wondered around the different rooms of fashion filled creative-ness, I was in awe of not only of the clothes made but also student’s portfolios, filled with drawings and sketches and images of pieces that had been made. Each portfolio was different to the next, not just in content but in the way they were presented. Most were the usual look book formats. However some were A3 size, some smaller, some portrait, some landscape. Some were made from different materials. One portfolio which stood and seem dominant over the others was the one made from metal – quite harsh and edgy.
I enjoyed flicking through the portfolios. I was fascinated by the ideas, from initial sketches and drawings to photographs of completed pieces. I can only imagine the hectic process this must have been. Looking at the empty studios as I wandered from one room to the next reflected this, with mannequins scattered around, strands of material on the tables and floor – a last minute rush of madness it seemed. This was in stark contrast to the exhibition rooms where strange yet beautiful pieces of clothing hung from the ceiling, quite peacefully, wanting to be adorned by exhibitors, portfolios scattered around the sides of the rooms, as well as students themselves, finally getting a chance to relax and enjoy their work. This compared to maybe a few weeks ago, where the environment would have probably been very different!
I left not only feeling inspired but mesmerised by what I saw and the highly fuelled creative atmosphere I had left, back into the normality of the ‘real world.’
Even though I prefer the idea of a ‘real life’ portfolio – one which I can have in my hands and flick through glossy colourful pages one after another, I have come across on online portfolio, which I think is fantastic! The most appealing part for me is the hand drawn illustration by Jesse Willmon.
Willmon combined his trade of web designing with his love for comics and goes on to talk about the reason behind this design of the portfolio/website was on purpose to make people feel more relaxed, compared to the usual computer tech savvy designs. Therefore to get the comic effect Willmon loved so much he actually hand drew every page of the portfolio / website and scanned them in!
The front page is very different and unique, with various illustrations scattered across the page of work he has done. It makes me want to click on all the different illustrations and see where it will take me. I particularly like ‘I made a paper toy download and print’ and ‘I designed a fancy Doctor Who set check it out’ illustration. As you scroll across each illustration, it transforms from a pencil like grey to a pop of colour bringing the image to life.
However the front page was only the beginning of all the magical illustrations that were yet to be discovered. Once I clicked on the ‘new illustrations check them out’ drawing, I was (gladly) drawn to the text ‘Wild Animals, Dressed as Farm Animals’ and clicked onto it straight away. To my amusement I came across a whole bunch of hilarious drawings of, what simply was’ wild animals, dressed as farm animals.’ My favourites are the ‘pigorilla’ the ‘snorse’ and the ‘bunnligator.’ Bizarre yet hilarious. Take a look here and see what delightful distorted animal is your favourite!
Pitch up & Publish One day workshops to create and publish booklets and StoryCubes using bookleteer: guiding you from concept to publication and beyond, bring a particular project you want to undertake, or come for an introduction and to experiment. The day will be tailored to your needs so you can bring a particular project you want to undertake, specific questions you want to address, or come for an introduction and to experiment. For new to experienced users, all are welcome. Book tickets on Eventbrite for these dates – 12 July, 13 Sept, £50 / £40 (early bird). Max 10 places per workshop.
Get Bookleteering! Come along to one of our ‘Get Bookleteering’ 2 hour surgery sessions ranging from beginners to advanced, to answer your questions about specific projects as well as introduce new users to Bookleteer. Book places on Eventbrite for these dates – 28 June , 26 July, £20 / £10 (Concessions). Max 6 places per session.
Both event prices include (complimentary Alpha Club membership, 5% discount off your first Short Run Printing order, free pack StoryCubes).
Bookleteer is an online service to help you create and publish booklets and StoryCubes. It’s simple, quick and free – print and make them in minutes using only a pair of scissors, or share them online, anywhere there is an internet connection, computer and standard inkjet or laser printer. Make field notebooks, workbooks, gifts, private journals and folios, or just test your design idea’s before using our short run printing service to print your book professionally in small or large quantities. Unlike other publishing platforms, Bookleteer enables quick and easy modification, as findings may change, mistakes made. It allows you use only the handmade versions or experiment with them before professionally printing. The opportunity to create is endless.
Upon my search for creative portfolios, I came across the ‘showreel’ portfolio concept. I think this is a great way for creative minds to show off their work in a digital format.
I like the idea of bringing a portfolio to life this way, and with the addition of music, it’s really different to other portfolios I have come across. However I feel the only downside is that it’s not tangible. Even though someone can watch it with ease and experience something different, I don’t think it’s the same as having something in person.
Take a look here. There are numerous examples of what people have created. I enjoyed watching the Wes Kendel Reel 2009 showreel.
Upon my search for weird and wonderful publishing methods for portfolios, I came across this very imaginative concept. I feel like in order to be noticed you need to stand out in the crowd, especially with portfolios and Nicholas Wilson’s portfolio hits the nail on the head!
Wilson created ‘An Interactive Hand Made Package‘ known as the ‘Soap Box.’ I think his idea here is genius. Firstly, I like the fact that it’s handmade using recycled cardboard and wood. Not only was the box handmade but he also hand bound and stitched the portfolio too! For the printed materials he used the old printing method known as Letterpress. This method of printing, whereby a raised surface is inked and then pressed onto a sheet of paper, was invented in the 15th century and was the traditional form of printing right up until the 19th century. This printing process was widely used for books up until the mid 20th century.
The idea of the Soap Box was to create an item which the recipient could actually be apart of and the way Wilson did that was by recording his voice inside the Box, as the portfolio.
I think this is a perfect example of how, even though technology has expanded immensely since the 15th century , you can still stick to the basics and create a fantastic and unique portfolio, compared to if your were to print or create it online.
Having developed a keen interest in photography over the last couple years and an on going ‘passion for fashion’ I thought what a great way to combine the two with publishing. Having been at Proboscis for just over six months now, I have become more familiar with publishing than I was before. Therefore what a great way to mix my two favourite interests with publishing and Proboscis.
Over the weeks I will spend some time looking out for any nifty and unusual ways of presenting look books, portfolio’s and even CV’s in areas from fashion and photography to illustration and interior design.
Be sure to come back to read up on the exciting things I find – ‘I’m bringing some style to publishing.’ 🙂