In about three weeks time we will be making a fundamental change to bookleteer by enabling public sharing of eBooks and StoryCubes. What does this mean?
users will be able to share their eBooks & StoryCubes direct from bookleteer
users will be able to add tags to their publications
users will have a personal page listing their shared publications and will be able to add links to their own website, blog, twitter and facebook pages
each publication will have its own page which can be linked to and shared with the public via popular social media platforms
all shared publications will be listed in a public library page on bookleteer for the public to browse through without needing to sign up and be logged in
bookreader web-readable versions will be shareable for all users (currently limited to Guest, Pro & Alpha Club members)
The new public sharing and library pages are part of a series of changes we are doing this year to make bookleteer even better and they pave the way for the Periodical. Each month we will crowdsource an eBook made and shared on bookleteer to be printed out and posted to subscribers. We will seek out the most beautiful, experimental, thought-provoking and inspirational eBooks made with bookleteer – and once a month subscribers will have 1 or more eBooks delivered to their door.
We’ll be following these updates with other new features over the coming months – stay tuned for further announcements.
Subscribe to the Periodical
UK – £3 monthly or £30 annual (Pay by Direct Debit, Barclays Pingit to 07711 069 569 or Email to Subscribe by Credit Card/Paypal etc)
European Union – £12/€15 a quarter or £40/€50 annual (Email to Subscribe by Credit Card/Paypal etc)
Rest of World – £15/US$24 a quarter or £50/US$80 annual (Email to Subscribe by Credit Card/Paypal etc)
An eccentric monthly publication for an era of eclectic exploration
More and more beautiful, thought-provoking and inspiring eBooks are being created with bookleteer all the time so, with a nod to such illustrious forebears as William Hogarth, Joseph Addison, Jonathan Swift, Laurence Sterne and Charles Dickens we’re creating the Periodical, a regular monthly publication to share some of the best examples – from the most beautifully designed, illustrated and written to the most experimental uses of bookleteer, its API and what can be done with the format. Update : check out the new bookleteer Library page to browse what people have made.
For a small monthly or one-off annual subscription (see below), you can receive by post a different printed eBook each month crowdsourced from bookleteer. Our target is to launch the Periodical with at least 100 subscribers in October 2012, selecting and printing a new eBook each month for distribution. Whilst we build up the subscriptions we’ll be sending subscribers a choice eBook every month selected from among those we’ve previously printed for projects such as Professor Starling’s Expedition, Material Conditions, City As Material, As It Comes, Agencies of Engagement and others.
What Will Subscribers Receive? The Periodical will be a monthly delight landing on your doorstep – you can expect consistent eccentricity and eclecticism in our choices. We will be seeking out the most extraordinary and unusual eBooks created and shared on bookleteer. Some will be selected by us at Proboscis, others will selected by invited curators and from time to time we’ll invite subscribers to vote for their favourite eBook to be printed and sent out as the monthly periodical. Anyone who wants to take part can contribute a book for consideration for the Periodical by signing up to bookleteer, then making and sharing an eBook. Each month we’ll post on the blog about what we’ve chosen and why – but only after we’ve sent it out, so the subscribers have the pleasure of an unexpected arrival landing on their doorstep.
To kickstart the Periodical we’re inviting a number of our friends, colleagues, fellow travellers and others whom we admire to explore using bookleteer themselves and to create some new publications with it that will seed the initial pool of publications from which we choose the first few issues. We’ll announce more about these soon.
Commissioned Series
To complement the crowdsourced eBooks, we are also seeking sponsors to help us commission new experimental and imaginative publications using bookleteer. These will be printed and distributed to subscribers as well as shared digitally on bookleteer for all. We’re looking for sponsors who see the opportunity that bookleteer and the Periodical offer for commissioning exciting new experiments in publishing – sharing new ideas, new knowledge and experiences in multiple ways to people all over the world. They might be themed series in themselves (following on from our previous series such as Material Conditions, City As Material, Transformations, Short Work, Liquid Geography, Species of Spaces, Performance Notations) or simply a one-off commission. *** Please contact me for details of sponsorship opportunities.
Subscribing to the Periodical
You don’t need to use bookleteer or be signed up to subscribe and subscriptions from organisations and institutions are very welcome (email us with a purchase order to subscribe). The Periodical will be a great way to tap into the creativity generated with bookleteer, having some of its best creations delivered to your door.
Subscribers will also receive a 10% discount on any Short Run printing orders of their own (recouping their subscription by just ordering a minimum 25 copies each of 4 of their own eBooks).
We’re just testing out a new ‘cardless’ payment service as an alternative to Paypal – Go Cardless. It works by creating ‘Paylinks’ that enable customers to buy something via the Direct Debit system direct from their bank account (and consequently covered by the Direct Debit Guarantee so highly safe and secure).
To test it we’ve created Paylinks for some of the recent eBook sets we’ve published (UK bank account holders and delivery only for now) – we’re interested to see if people find this more attractive or safer than using Paypal and/or credit cards. According to Go Cardless they expect to extend their service to European Union bank accounts later this year and to other places further in the future.
So, if you’d like to pay for a copy of one of our fabulous sets of eBooks by bank-to-bank transfer, then try out a link below:
As a modest (and democratic) contribution to this week’s Jubilations we’re extending an offer for anyone wanting to make and print an eBook of their Jubilee memories : we’ll give you 50 copies for the price of 25 when you order via the Short Run printing service. Just quote this promo code “Jubileebook” and order before the 30th June.
A couple of years ago we wrote about how bookleteer could be used to create shareable personal portfolios or pocketfolios. We continue to think that the eBook formats are ideal for making a simple pocket portfolio about your work to share and/or give way to prospective clients, employers, commissioners or funders. More than a business card or the generic student postcard, even the smallest eBook of 10 pages plus covers offers a chance to show what you’re capable of, what experiences you’ve had and who you could be in a highly personalised way that exceeds what any CV could indicate. Share your pocketfolio as a handmade ebook, online with bookreader or have them printed at low cost using our Short Run Printing service to stand out from the crowd and communicate something special about yourself.
As a new crop of students are preparing to graduate into one of the harshest employment climates ever, and with youth unemployment at an all time high, we have a special offer for anyone wanting to make and print their own pocketfolio – taking advantage of our recent price reductions for A6 Short Run printed books and lower minimum print run of just 25 copies:
For every Short Run Printing order for 25 copies of a portfolio style eBook, we will send an additional 25 copies free. Just use the discount code “PORTFOLIO2012”.
Meanwhile here’s an excellent example by artist and lecturer, Gair Dunlop:
And check out this lovely example of using bookleteer to publish a group catalogue of work, created by Mah Rana for the 2nd Year Jewellery and Silversmithing Course at Cass, London Metropolitan University:
More recently we’ve had some time and space to think about what else bookleteer could do and how we might make some adjustments to improve its usefulness. Over the past month or so, these ideas have been gestating into actual plans, scenarios, requirements and site maps for our next round of upgrades and improvements. And these themselves follow the price drop for Short Run printing of A6 books, as well the new minimum eBook print run of just 25 copies, which we recently announced.
Going Public
The first change we plan to implement will be to allow users to publicly share their eBooks and StoryCubes direct from bookleteer. Members of the public will, for the first time, be able to browse (without needing an account) library pages containing links to eBooks and StoryCubes which users have shared. We also hope to build in simple social media links to enable these pages to be tweeted or shared on Facebook. And sharing via bookreader will also be available to all members. In addition to this, and reflecting our own practice of publishing series of eBooks and StoryCubes, we plan to create Collections – a new way to organise own eBooks or StoryCubes into named and distinct series.
Making bookleteer Economically Sustainable
To keep bookleteer going we need to encourage more people to use the Short Run Printing Service service to print their eBooks and StoryCubes. Other than donations to the Alpha Club this is the only source of income to pay for our hosting, bandwidth, development and maintenance costs. As you may have heard, Proboscis no longer receives funding from Arts Council England so we are having to find sustainable sources of income for projects like bookleteer. If we can significantly drive uptake of the Short Run printing service, then we hope to sustain bookleteer as a platform indefinitely. To help people with ordering we’re already working on building in pricing estimation direct into the ordering page. This should make it much simpler to see print estimates when you are considering using the Short Run Printing service.
Pledge For Print
This leads on to the biggest and most exciting aspect of what we’re planning. A couple of years back I wrote a post speculating on how a crowdfunding marketplace within bookleteer could transform the way people create, print and share their publications. We have been working on a model for such a concept – allowing users to offer Collections of eBooks or StoryCubes for others to “Pledge For Print“. We won’t be handling financial transactions to begin with, simply creating a mechanism for users who want to print an edition of 1 more more eBooks or StoryCubes (in a Collection) to know that there are people out there who will pledge to buy a copy from them once its printed. Ultimately we would aim to build in a full crowdfunding-type system, accepting pledges and automating the process of collecting donations once the pledge target has been reached to trigger the print run & shipping. Its a huge project for us – but we think it will transform bookleteer and publishing on demand in the process.
Community Support is Vital
To fund the development we’re hoping to entice more friends, fellow travellers and supporters to donate and join the Alpha Club and take an active part in the developing ‘community’ of bookleteers. We’re also aiming to attract a main sponsor for bookleteer – a company or organisation which shares our values and ethos of creating Public Goods and enabling people to make and share hybrid physical/digital stuff. If you also think what we’re planning could be the next best thing since sliced bread – please donate today!
And do please get in touch with your feedback, comments and suggestions.
selection of highlights printed with bookleteer's Short Run service
Today we’re very excited to announce a couple of major changes to bookleteer’s Short Run Printing service :
Minimum print run is now just 25 copies per eBook – half the previous minimum of 50 copies
We have also slashed the cost of A6 printed eBooks between 30%-50% (depending on quantity ordered)
Check out the eBook price estimator to see how much your eBook would cost to print (we’ll also be overhauling the ordering system in the next few weeks to integrate the estimator there too).
We believe this makes it much more accessible for people wanting to experiment with having their eBooks professionally printed and bound but only want a few copies at a super competitive price.
We’ll be posting soon about our other plans for bookleteer which we aim to introduce in stages over the summer – all in all its going to be a very exciting year of changes for bookleteer and its users!
At tomorrow’s Soho Food Feast we will be helping the Soho Youth group (and a few others no doubt) from Soho Parish Primary School create their own reviews of the food on offer from the incredible array of chefs. We’ve created a simple notebook for them to record how their five senses respond to the foods on offer introduced by Fay Maschler, Restaurant Critic of the London Evening Standard.
Next week we will begin the task of scanning in all the children’s reviews and making a selection of the funniest, best written, most interesting reviews to include in a compilation book, which will also be made and published via bookleteer. We’ll invite the chefs taking part to have their say too – responding to the children’s reviews with quotes of their own, and ask Fay and head teacher Rachel Earnshaw (who’s leaving at the end of this term after 10 years) to write introductions. We hope to have the final book ready around mid June.
We’re inviting donations towards the printing costs and to contribute to the school itself – please use the Paypal Donation button below, visit us at our table in the ‘Dessert Ghetto’ at tomorrow’s Feast or, if you’re a member of the school community, drop into the office to make a donation and get your copy. We’re suggesting a minimum donation of £7.50 – for which you’ll get your name printed in the book as well as receiving a copy by post.
Most writers have one or two trusted readers-of-drafts, critical friends who are relied on to make suggestions and offer that gentle critique that we didn’t know we needed. And the closer we get to conventional publication, the more likely we are to find ourselves working with an editor who scrutinizes our text for errors, ambiguities, sloppiness and – horror of horrors – breaks with convention. With the publication of my essay on picnic and community, published using Bookleteer last month, I had the chance to reflect on the experience of ‘doing without’ an editor. It was stimulating but also a little scary.
In the summer of 2011, I needed to take a decision about finalising and publishing the work. Choosing Bookleteer presented me with a new option: it meant I could go all the way to publication without any editorial oversight.
Picnic was an unfunded project: no client, no defined audience, no expectations, no responsibilities. That may seem liberating but it also means no feedback, no reassurance, no confirmation. I kept the text to myself (apart from sharing it necessarily with my collaborator, the artist Gemma Orton) at the obvious risk of missing out on potentially valuable guidance, having mistakes spotted, and being seen as arrogant.
The key justification for me was that to submit to editorial control would have been a crass betrayal of one of the essay’s themes. The essay contrasts picnic with formal meals, it contrasts organisation with networking, and disorder with order, as a way of exploring our tendency to idealise community in structured, formal terms. I felt that by submitting to the convention of editing – a fundamentally conservative process – I would have contradicted that theme in a rather feeble way.
I was also aware that Picnic challenges people’s expectations, because it doesn’t fit easily into any recognised genre. An editor might have made valiant, corrosive efforts to turn it into this or that.
I don’t wish to imply that the editorial process is either redundant or pointless, but it may be that many writers come to be over-dependent on editors. Perhaps this is to do with perceived differences between non-fiction and fiction. Few musical composers or visual artists would expect to cede so much influence over what they do. On the whole, editing is a process for confirming convention and reinforcing norms, which may not always be what’s needed. By making the publication process realisable, it was Bookleteer that empowered me to remain consistent to the theme without compromise.
Being 18 in the past and today: using Bookleteer for a museum-based project with young people
by Katrina Siliprandi
Norfolk Museums and Archaeology Service
Young people working on ‘Project 18’ carried out and recorded 39 interviews in people’s homes, at Norwich Castle museum and in residential care homes. They amalgamated quotes from these interviews with photographs of selected museum objects to produce both a printed booklet and an e-reader version using Bookleteer.
The project is a partnership between Norwich Castle Museum and the Mancroft Advice Project (MAP), a charity that provides help, education and training for young people through advisors, counsellors, youth workers and a drop-in centre. Project 18 helps young people to learn more about themselves, others and their community through the creation of an accessible small archive of oral history testimony about being 18 in the past and today, inspired by the museum’s collections.
Some people might expect paper copies to be of low importance and relevance to young people who are already comfortably immersed and swimming in the cyber ocean. Conversely, paper copies could be seen as important tools to present to those people who have travelled to positions of influence and governance where a more traditional background might place greater value on well-trodden methods of communication.
We found the reality to be that the young participants placed great store in the tangible form of the printed items. They valued something they could actually hold, see, feel and smell. This multiply dimensioned tangibility was something they could experience wherever and whenever they chose, rather than only when in contact with a screen. Just having something physical to keep, share and treasure was hugely important. In addition young people expressed their gratification about something that was a token, a signifier of their achievement and enhanced status. Of course this enhanced status works both in the way in which others see the young person and in the way in which they see and value themselves.
This effect was re-enforced by the good physical standard of the booklets themselves. The cost of short-run printing was impressive. We were not forced to order a huge bulk run to achieve economy (with concomitant waste), nor did we have to be miserly in distributing the booklets to the young people and their friends, museum and MAP staff, stakeholders and supporters.
At the same time, having the e-booklet available has given an easy flavour of the project and its purpose to outsiders such as funders and government agencies, both national and local. We feel this kind of attention-catching and information giving is much more likely to lead to interaction and positive responses and outcomes than just a paper communication in the general wasteful paper blizzard. In this way, perhaps counter-intuitively, the e-booklet has provided us with a more permanent resource than traditional paper copies for those that we wish to inspire and involve in financially supporting future projects.
Maybe, too, by putting the booklet on the internet we will benefit from some degree of good fortune as people anywhere in the world stumble on the project. One person’s happy discovery could be promulgated world-wide with astonishing rapidity.
