Tag: inspiring uses

inspiring uses of bookleteer

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inspiration news

Agencies of Engagement – A creative thinking and doing tool

In April 2011, Proboscis began a collaboration with the Centre for Applied Research in Education Technologies (CARET) and Crucible at the University of Cambridge, on a research project exploring the nature of groups and group behaviours within the context of the university’s communities and the design of software platforms for collaboration.

Our output of this project, Agencies of Engagement, a set of four books designed to act as a creative thinking and doing tool, has just been published – via our short run printing service, as online bookreader versions, and on our publication hosting platform, Diffusion.

                   “We believe in creating and using tools that reflect our values and practices – making use of them in our projects and research enables us to embody this ethos in the ways in which we collaborate with our partners and share the outcomes. The structure of each of the four books has, at its core, our desire to inspire others and to illustrate ideas and practices – sharing not just the fruits of our work, but the processes and methods which we have employed. Publishing the books with bookleteer enables the potential for the insights and observations, methods and practices to resonate widely both through sharing physical and digital versions. This was also a core value for the project’s output, that it would be of value not just to CARET and Proboscis as documentation of what we achieved, but to others as a guide for developing their own engagement practices. “

  – Giles Lane

Method Stack describes a number of the engagement methods and practices used by Proboscis in our engagement work as well as other tools and sources of inspiration.

Project Account sets out the process used in the project as a case study for others to guide their own engagement practices.

Drawing Insight illustrates the observations and insights of the project in a simple and accessible way.

Catalysing Agency explores the need and concept for using a ‘Catalyst’ (an individual acting as a change agent) to trigger meaningful engagement with wider communities.

For the printed sets, twenty five copies are contained within a limited edition, handmade slipcase (displayed above left); the remaining copies are bound with handmade wrappers (above right).

Download, print and make up the set for yourself on Diffusion here.

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news

Publish & Print On Demand – October’s eBooks

October saw a combo of eBooks created with bookleteer and printed using our Short Run Printing Service – ‘Picnic: Order, Ambiguity and Community’ and ‘Sites and Strategies’.

‘Picnic: Order, Ambiguity and Community’ by Kevin Harris, an author and community development commentator, and Gemma Orton, an artist, is an illustrated essay focusing on the relationship between food and social interaction, particularly on that “wobbly combination of conviviality and disorder” – the picnic. Using the A5 landscape to great effect, Kevin has placed footnotes and references alongside the text, interspersed with Gemma’s lovely images.

Fifty limited edition copies, complete with special signed wrappers, will be sold in aid of the homeless charity Crisis at the publication launch on the 14th November, at the Wellcome Trust Gallery. Register for tickets here.

‘Sites and Strategies’ by Gair Dunlop, a visual artist, is a portfolio of select artworks created between 2003 and 2011. A document of his numerous sculpture, media and installation pieces, as well as his approach, it can distributed fluidly both in print, through galleries and art festivals, and online, through the digital bookreader version (below), acting as perfect companion text to Gair’s work.

You can also download, print and make it for yourself on Diffusion here.

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news updates & improvements

New eBook Design!

After some tinkering and testing, we’ve just uploaded the new eBook back cover designs to the bookleteer server. Alongside an improved colophon layout, all eBooks generated with bookleteer now automatically create a QR code link as well as a short URL, to the online bookreader version, featured on the bottom left corner of the back page. This means you can scan the code from a friends printed eBook with a smartphone or tablet device, to instantly bring up the digital version on your screen – another interesting dimension to hybrid publications. We’re looking forward to discovering similar intriguing uses…

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help & guides making sharing updates & improvements

Easy peasy way of making A4 & A3 StoryCubes on any printer

Recently, we’ve discovered a very, very simple way of making your own cardboard, hard-wearing StoryCubes, using only:

  • A free bookleteer account

If you haven’t signed up for a free bookleteer account yet, do so here.

  • A4 single label paper, suitable for Inkjet or Laserjet printers

Full sheet label paper, available from any decent stationers (Avery code: DSP01).

  • Blank StoryCubes

Read about StoryCubes, and order blank packs here.

 

Firstly, design your StoryCube.

Sign into bookleteer. If you’re a new user, read the help page.

Design your cube using the bookleteer templates, export the file as a PDF, then upload to the Create A StoryCube page, or upload each image individually.

Select Generate StoryCube and download the file, from the top right corner of the screen.

Next, print and make.

Print using the label paper, and cut around around only the faces of the cube, not the tabs – it should look a crucifix (You can also protect your cube by using adhesive cellophane, by affixing a layer on top of the label sheet, then cutting out).

Peel off the backing paper, and stick onto a blank cube.

Fold your StoryCube, and voila!

You can even use this method to make your own A3 size StoryCubes, without even owning an A3 printer.

Simply crop the A3 cube PDF into two documents, so that it can be printed across two sheets of  A4 paper.


Then, cut out the two segments as shown, to form a two-part crucifix shape.

Stick onto to a blank A3 cube and fold…

… and you now have an A3 cube, using a standard home printer.

If any bookleteers discover more clever ways to make StoryCubes, do share!

Categories
events inspiration

StoryCube Cairn

“A group converges on a location to build a StoryCube Cairn”

On Wednesday, Simon Pope, Gordon Joly, and Stefan Szczelkun joined us in the Proboscis studio, to talk about the StoryCube Cairn project, and embark on a group walk using a QR coded cube and a mobile phone as wayfinding devices.

Before the event, we were asked to devise walking routes to create individual cubes, each side featuring a QR code, linking to a particular geographic spot on an online mapping service (Google Maps, OpenStreetMap, etc) – a start point, four waypoints, and a destination. Using an API Gordon coded, and the bookleteer API, entering the six location URL’s automatically generated a StoryCube. My route, based around memorials and tributes in different forms is available here.

Meeting just after 2.00pm, Simon and Gordon gave a summary of the project, and a recap of the development process so far. We talked about the current limitations of Google Maps when creating the cubes, particularly the inability to share manually added, user designated routes with other people (they require two waypoints to locate the route), and had some interesting ideas regarding the next stage of the project. What about a mix of map links, audio files and videos – an interactive tour, scanning QR codes near points of interest to access audio descriptions and related videos? Or, a quasi treasure hunt, requiring players to obtain QR code stickers for the cubes (discouraging them from scanning all the codes at once – cheating!)  from certain spots to get the next destination?

We decided to use Simon’s cube for our first trial, his route focusing on locations acted on by “centrifugal and centripetal” forces – each point “acting as an attractor of sorts, which in some instances cannot be reached, yet which pulls the walker towards it”.

After departing from the studio, Giles scanned the first code to get our start point – the ramp under West Smithfield. Once there, we scanned the next spot, the middle of Charterhouse Square. All was going smoothly. However, after reaching the third spot, the omnimous brick circle in Golden Lane estate (the “Unplace” we featured in the City As Material: Streetscapes event), we were unable to load the next, despite trying with numerous phones – bad signal, or bad omen? Despite this, we were afforded time to ponder its unusual acoustic properties once again, and plot a cunning plan to subvert this synchronised failing of technologies… cheat!

Simon told us his next waypoint, the Curve Gallery in the Barbican Centre, which we arrived at via its winding walkways (after ceremonially scanning the code we missed). Another hurdle faced us here, as to gain entry to the exhibition, we were expected to don quarantine-esque shoe covers, and couldn’t enter as a group. Bah. The penultimate spot, another circle, on Monkwell Street, beckoned.

From there we were awarded our destination, the Museum of London, or more specifically, outside its entrance. Here, we asked if we were able to get into the recently renovated green space below, and were told “perhaps, but you might not be able to get back up!”. Rather than risk it, we retired to the pub right next door, content in a mostly successful first run of a StoryCube Cairn route.

We’re brimming with ideas for what might be possible next. Until then, view all our routes, and download the cubes yourself here.

Categories
inspiration

Diffusion Archive Highlight – City As Material: An Overview

A document of the five City As Material events we ran in London last year, this eBook collects the blog posts penned after each event, a selection of photographs taken, as well as an introduction to the project and our motives for undertaking it. Created in place of an individual eBook for Sonic Geographies, due to the absence of a special guest, this account of the series provides a narrative that was lacking from the other books produced, detailing the experience from each event on the day, not just the resulting output, and hopefully intriguing potential future collaborators.

Simply using the existing text from the bookleteer blog and full-page photographs as covers for each section, in a book, turns transitory blog posts and assorted snapshots into a publication that can stand on its own right, demonstrating the transformational effect and credence associated with a printed document (although it’s also readable online), made possible with the eBook format.

Read City As Material: An Overview with the online bookreader below, or download, print and make via Diffusion.

Categories
sharing

British Museum & Bookleteer

Bookleteer, archaeology and local history.

It is now a year since we launched the short run printing service so now seemed like a good time to reflect on what people in different areas have been using the printing service for. In this post we reflect on its use in two projects connected to the British Museum.

Julie Anderson, the Assistant Keeper of Egyptian and Sudanese Antiquities at the British Museum used Bookleteer to create 1000 books in Arabic and English about the 10 year Sudan excavation to share the findings with the local community in Sudan.

Following the distribution of the book, teenagers began coming to our door in the village to ask questions about the site / archaeology / their own Sudanese history… connecting with their history as made possible through the booklet. It was astonishing. More surprising was the reaction people had upon receiving a copy. In virtually every single case, they engaged with the Book immediately and began to read it or look through it….The Book has served not only as an educational tool, but has empowered the local community and created a sense of pride and proprietary ownership of the ruins and their history.

Bookleteer was used in the Melanesia Project to record, Porer and Pinbin, indigenous people from Papua New Guinea discussing objects in the British Museum collection. Bookleteer was used first to create simple notebooks that were printed out on an office printer and handmade. Anthropologist James Leach used them to note the discussion in both English and Tok Pisin, next to glued in polaroid images, to produce a record that involved;

capturing the moment of what we were doing and what we were seeing.

Once filled in, the notebooks were scanned and professionally printed to share with the local community in Papua New Guinea (who have a subsistence lifestyle without electricity).

“[…] As something to give people, they’re an extremely nice thing. People are very keen. I also took some to an anthropology conference before I went [to Papua New Guinea] and would show them to people and they’d immediately say “Oh, is that for me?” People kind of like them. They’re nice little objects.”

Researcher and community education worker Gillian Cowell has used the books as part of a community project with Greenhill Historical Scoiety:

“I think, for community work, it’s really important that you engage in much more unique and creative and interesting ways as a way of trying to spur some kind of interest and excitement in community work […] The books are such a lovely way for that to actually fit with that kind of notion.”

Bookleteer is an online service to help you create and publish booklets and StoryCubes. It’s simple, quick and free – print and make them in minutes using only a pair of scissors, or share them online, anywhere there is an internet connection, computer and standard inkjet or laser printer.

If you are interested in finding out about how you could use Bookleteer, come along to one of our Pitch Up & Publish Workshops or Get Bookleteering sessions this summer.

Categories
inspiration

Diffusion Archive Highlight: Expeditions in Paper Science

Created at our first Pitch Up & Publish event by Matthew Sheret, co-founder of We Are Words + Pictures, Expeditions in Paper Science is a compilation of blog posts written for his website. Matthew says:

“I’ve long been interested in the idea of physicalising web articles, and while an industry has solidified around POD in the last few years they remain a step removed from the immediacy I’m itching for. Bookleteer instantly unlocked that; simple cut-’n’-paste gave me a nice little document I’ve been throwing around since.”

Download, make and read it on Diffusion.

Categories
inspiration

Diffusion Archive Highlight: Ancient Lights, City Shadows

A collaborative eBook produced as a result of our City As Material: Skyline event, Ancient Lights, City Shadows features mixed media collected on the day and material we were inspired to create after our wander through the city.

Adorning the cover is one of Martin Fidler’s intricate skyline drawings, opposed with an ambiguous photograph of Tower 42, taken from ground level, looking up – once the image is reversed, it resembles surreal train tracks, running into the horizon. Flowing throughout the book are two lines, mapping our elevation over distance and over duration, captured via a iPhone GPS / Altitude app. They stream through notebook scraps and photos, providing a locational narrative – we liked the idea of extending and distorting this digital data into an abstract visual, creating our own man-made skyline for the backdrop of the eBook.

Read Ancient Lights, City Shadows below, using our online bookreader, or download on Diffusion.

Categories
inspiration

Diffusion Archive Highlight: Three Essays by Samuel Johnson

Selected by writer and journalist Bill Thompson, this eBook compiles three of Samuel Johnson’s essays in a slim, portable format; Rambler 2, pondering the nature of ambition and self-deception, Idler 48, in which he speaks of  how we ‘play throughout life with the shadows of business’, and Adventurer 95, exploring the process of writing and original ideas. As Bill says, “They are the perfect refuge from the blogosphere and, since they require no external power, excellent for those long journeys when your laptop battery dies before you reach your destination and the only discarded newspaper to hand is yesterday’s Daily Express.”

Read Three Essays on Diffusion.