Categories
ideas & suggestions

“A Magazine Is An iPad That Does Not Work”

Yesterday I watched a video on YouTube of a child attempting to manipulate a magazine as if it were an iPad.

Eh? Bear with me.

As expected, the futile motions and the child’s baffled reactions are pretty funny, but it also made me ponder once again how touchscreen devices and future developments in technology will influence children’s perception of and attitude towards books, but more importantly, the act of reading itself.

Whilst digital content is currently co-existing alongside traditional printed media, it’s quite conceivable that in a decades time when it has the potential to overshadow it’s paper kin (rather than outright replace it), a child might live throughout their early years – before they have the opportunity to venture into the world alone and discover alternatives – rarely, if ever, reading “old” books and magazines.

If children only know books and applications that can employ videos, music, games and reader interactivity in a wide variety of ways, will paper and ink still be fulfilling? Will classic literature need to be remade in new digital dimensions to be valid for the next generation? There will certainly be very interesting and immersive techniques that will enable readers to connect with stories in unique ways, but I fear that older works might be neglected.

However, there’s also the possibility they will turn to printed books, and the contemplative, often passive manner of reading they foster, as an antidote to a constantly active, sometimes overloaded medium. It seems context plays a large part here – how would a reader focus on and engage with a multitude of different medias whilst braving a packed rush hour train journey, with all the physical restraints and stressful stimuli that entails?

I apologise in advance for any work put off due to random video YouTube tangents as a result of this post.

Categories
sharing

Out with the old, in with the iPad

As I have mentioned in my previous posts, I like a portfolio which can be hand-held, something I can touch and feel. However I do agree that online portfolios are essential due to its accessibility and sharable factor, as well as the digital side too, including motion – videos, films and so on. So when I came across an article about my recent discovery I was over the moon that someone has created a mixture of online and hand-held portfolios! How, I hear you ask? Simple, the iPad. In my eyes, the 9.5 inch by 7.31 inch tablet has seemingly revolutionised portfolios.

D.Currier’s article I found on ‘A Portfolio Book for the 21st Century’ talks about something which I have not seen before and is a concept binding the online world and ‘real life’ together perfectly! Sean Busher created a portfolio where an iPad has been embedded into the actual portfolio itself, which not only sounds weird and wonderful but looks great too!

Busher has not only embedded an iPad into this rectangular box, but he also created an app showing only his work and the app is the only item on the iPad. I think the motion on the iPad along with the imagery in the portfolio book compliment each other really well and brings his work to life. As the article mentions, this is a fantastic way for artists who are showcasing their work which include both still work and motion. I also love the colour – the bright zingy orange in contrast to the black works well! Along with its ability to also be shipped due to the structure of the box, this really is ‘a portfolio book for the 21st century.’

Jesse Rieser has also used this concept of bringing print and digital together through the use of an iPad and a portfolio book. What I like about Rieser’s portfolio, apart from the iPad, is the colour scheme applied to different categories of his work, which continues on his website too. The pocket inside the portfolio book which securely hold his business cards is a nifty little touch too!

I’m glad I’ve finally found a portfolio which has the best of both worlds, print and digital, a concept which will definitely make portfolios more interactive and creative.