Looking deceptively simple, Your House by Olafur Eliasson (the artist behind the Weather Project at Tate Modern in 2005) is beautiful and detailed. The book shows a laser-cut negative impression of Eliasson’s house in Copenhagen. As you move from the front to the back of the book you make your way through the rooms of the house constructing a mental and physical narrative as you go. Every sheet is individually cut and every time you turn the page your perspective on the building changes. Each page is to scale and corresponds to 2.2 cm of the actual house.
The book is a limited edition of 225, published by the Library Council of the Museum of Modern Art, New York, 2006. Concept by Olafur Eliasson, design is by Michael Heimann, Claudia Baulesch / groenland.berlin.
See more pictures of it on Olafur Eliasson’s website here..
I’ve seen the photos and the video but I still can’t quite believe this works. I hope it does because it’s so simple and such a unique way of experiencing a book.
Rainbow in your hand is a flip book by Masashi Kawamura. Each of the 36 pages has a colour spectrum on a black background. As you flip through the book you see the illusion of a rainbow hovering above the pages.
Seeing this makes me wonder if it’s possible to make an eBook flip book. I’m quite surprised to hear no-one has tried this already and it’s definitely something I’d like to experiment with in the next few weeks. Do let me know if you have made an eBook flip book already and have any tips or examples…
What Design Should I Choose?
Proboscis have created 2 different eBook designs which you can choose from, both of which are available for A4/US and A3/Ledger sizes. Basic is a simple book design which places the title, author, a cover image and a logo image on the front cover. The eBook title, author, credits and secondary logo are placed on the back cover. Custom Cover allows users to design their own front cover and upload it as a JPG image. The eBook title, author, credits and both logo images are placed on the back cover.
What are the page dimension for the different sizes?
– A4/US Letter eBook Portrait : 88mm by 133mm
– A4/US Letter eBook Landscape : 133mm by 88mm
– A4 StoryCube : 55mm by 55mm
*
– A3/Ledger eBook Portrait : 130mm by 193mm
– A3/Ledger eBook Landscape : 193mm by 130mm
– A3 StoryCube : 82mm by 82mm
Where can I download the content templates?
Proboscis have created some simple empty page templates for MS Word, OpenOffice and Adobe InDesign which can be downloaded here.
What dimensions should my cover image be?
Images should be saved as JPGs or PNGs at a minimum resolution of 72dpi at exact size or greater. For best results 150dpi is recommended.
Basic Design
– A4/US Letter eBook Portrait : 65mm by 90mm
– A4/US Letter eBook Landscape : 90mm by 65mm
– A3/Ledger eBook Portrait : 90mm by 135mm
– A3/Ledger eBook Landscape : 135mm by 90mm
Custom Cover Designs
– A4/US Letter eBook Portrait : 88mm by 133mm
– A4/US Letter eBook Landscape : 133mm by 88mm
– A3/Ledger eBook Portrait : 130mm by 193mm
– A3/Ledger eBook Landscape : 193mm by 130mm
What can I use the Logo images for?
The ‘Logo’ spaces allow users to add one or more logos to the covers of their eBooks. The Main Logo could, for instance, be the logo of the ‘publisher’ or author and the Secondary Logo might be used for credits, such as acknowledging sponsors/funders or for placing a Creative Commons-type image. However, they can also be used just as spaces for images on the front/back covers.
What happens when I order some POD eBooks or StoryCubes?
When you confirm your order an email is sent to Proboscis where one of us will calculate the cost and send you an invoice via Paypal. Once we receive payment we will send your item(s) to press and aim to have the finished products in your hands within 7 working days. StoryCubes will be printed on a regular basis – check here or on twitter for details of the next printing deadline.
The ordering system is very hands-on whilst we’re still developing the alpha version of bookleteer – please bear with us and forgive its manual shortcomings!
A while back we spent some time in the Proboscis studio playing around with different papers for eBooks. Not many people have seen these experiments so I thought I’d start my investigation into eBooks-as-objects by writing about them. For all of the books here I find that the combination of paper, content and illustration gives them more depth and makes them more engaging than if they were printed onto standard white A4 paper.
For the diffusion notebook we tried out a brown paper cover with translucent inside pages. Because of the way the eBooks are put together (see here if you’ve never done it yourself..) the brown paper also appears on two inside pages. For me, the brown paper gives a rough, temporary feel to the notebook and the semi-transparency of the blank internal pages hints at half-imagined sketches glimpsed through the pages.
diffusion notebook: A brown paper cover and translucent internal pages
Next up is the eBook of Dusk, a short story by Saki created by Carmen who used a combination of blue-grey and cream matt paper, slightly heavier than standard printer paper, for the cover and inside pages. The paper has been printed on twice. First, Carmen printed the blank sheets of A4 with the silhouette illustrations she’d selected, then the paper was put back through the printer for the eBook PDF. And so the text appears over the illustrations. Lovely, hey?
Dusk, by Saki: Double-printed paper lets the story appear over the illustrations
If you’re thinking of trying out this double-printing technique, my advise is to work out exactly how each eBook page is oriented and to understand the sequence in which they are laid out on the A4 sheets as this is not intuitive. And I recommend testing it out with cheap printer paper first if you’re going to be using more unusual or expensive papers.
Finally, my favourite of these early eBook experiments is A Manifesto for Black Urbanism by Paul Goodwin. This was also made by Carmen usign thin black card for the cover and translucent paper for the inside pages. Like Dusk, the translucent sheets were double printed and show black and white images of urban industrial environments behind the text.
On the cover and two internal pages the black card is printed with black ink. Because the ink is shiny and the card is matt the text is still legible though maybe not as easy to read as black text on white paper. While this wouldn’t be suitable if you’re trying to make the eBook accessible to as wide an audience as possible in the right circumstances perhaps asking a little more of the reader is a way to engage them more deeply with the content?
A Manifesto for Black Urbanism by Paul Goodwin: Black ink on black card and double-printed translucent pages
We are just finishing tweaks to the latest set of updates and improvements to bookleteer and will be integrating them into the live server over the next 24 hours : there may be some disruption to the service whilst we do this.
We’re very excited by what’s in store, it’s a big step forward in both the usefulness and ease of use of bookleter :
• new sizes : A3 & Ledger sizes will allow users to create larger eBooks and StoryCubes
• new designs : the new ‘Custom Cover’ design allows users to create their own customised cover design and upload as an image
• PPOD ordering system now integrated – users can order A6 or A5 eBooks, and StoryCubes from A4 or A3 sheets
• new user dashboard showing most recent publications and orders
Hi, Karen here*. Recently, Giles invited me to take some time and explore the potential of bookleteer. And I’m very happy to do so. I’ve known bookleteer for a while now and have made my share of eBooks and storycubes while I was working with Proboscis .
Anyway, I have a confession.
In Proboscis studio contemplating the merits of two storycubes
While I appreciate the digital-ness of bookleteer eBooks and storycubes and how they can be shared around the world with friends and strangers, what I really like about them is their low-tech, tangible, crafty, physical-ness.
At the most recent Pitch Up and Publish one of the participants said they hadn’t really understood the eBooks until they printed them out and made them up and that’s exactly how I feel about them. So for the next couple of months I’m going to explore the eBooks and storyCubes as objects.
This gives me a great excuse to scour the web for inspiring examples of books that are experienced as objects, and cubes that do more. And then to try out some ideas of my own and see what can be done with a few sheets of A4 paper, the bookleteer software and imagination.I’m very excited about it… and all the outcomes will be posted here, come back soon to check how I’m getting along!
*In case you want to know more, I’m interested in all things around making, technology and art. And I’m especially curious about the places where these things overlap. (I’m fascinated by people and cities too but that’s another story..)
We’ve recently posted some new videos demonstrating how to fold, cut and make up the 4 different types of Diffusion eBooks that can be made using bookleteer:
Come along between 1-5pm if you’d in the area and would like to know more about making eBooks and StoryCubes, and to see samples of the gorgeous new PPOD eBooks!
I used Bookleteer’s Storycube API to make physical souvenirs of ebooks, as described in my post on Bookcubes. In this post I’ll run through the code used to manipulate Bkkeepr data and send it to the API.
Bkkeepr pulls a bunch of data out, which includes your username, the book cover image, the book’s title and author, the dates you started and finished reading it, and the number of bookmarks you made in it.
The Storycube API only accepts images, not text, so if you want text you’re going to have to build it into images. Here’s a useful piece of code for creating images with text on the fly, using the GD Graphics library which is built into most versions of PHP. It’s not pretty, but it’s useful for quick prototyping of data into images:
This code creates a new image of 156 x 156 pixels, colours it grey, then writes some text (“Title” by “Author”) in black across three lines, before saving the images to the ‘cubes’ directory, and wiping the temporary image. All these functions are well documented at http://php.net/manual/en/book.image.php – mostly, you just supply the text or colour for insertion, and a couple of reference points.
Exactly the same process is followed to write the start date, finish date (if applicable) and bookmarks panel:
Note that the path to the images in the request array are prefaced by ‘@’ – this is because curl needs to upload the images to the remote server, and also means those need to be local paths: you can’t send a URL. All images to be sent need to be stored locally – which is done here by calling Amazon for the cover image and saving it locally (cubes/cover-image.jpg).
The Storycube API returns either a pdf, or an error code. So we check which it is via the content-type, and if all is well we save the file with a unique timestamp and offer it for download, or we print the error message:
Since the alpha version of bookleteer went live last September we’ve been discussing with a number of friends and colleagues what we can do to demonstrate the API (Application Programming Interface) – which allows other applications, sites and systems to interface directly with the Generator, the engine behind bookleteer.com which generates the PDF files for eBooks & StoryCubes.
Following several years of successful residencies with writers and artists using the old Diffusion Generator to create and publish eBooks of their own, we decided to offer two ‘virtual residencies’ a year to creative individuals to play with the API and show what can be done with it – creating eBooks and StoryCubes from other data sets and web applications.
Our first two virtual residents are James Bridle and Simon Pope. James has already used the API to interface with his own project, bkkeepr to create ‘bookcubes’ (more details to follow in a separate post) and Simon is working on a project combining walking, cairns and StoryCubes.
Whilst bookleteer is in alpha, access to the API will be private – though we welcome people to get in touch who have a specific use in mind and would like to test it out. We’ll be commissioning two further virtual residencies later this year.