I’m going to be delving into the Diffusion archive to highlight my favourite eBooks and StoryCubes on a regular basis, in a bid to showcase how people have used them in exceptional and innovative ways.
First off is “Cummerbundery Volume 1: The Collected Tweets Of Brandon Cummerbund” by Russ Bravo, an eBook compiling various tweets from his Twitter comedy alter-ego, Brandon Cummerbund – a “Victorian wit, man about town and amateur taxidermist”. These hilarious, satirical and often surreal vignettes are presented very simply, (almost in the manner of a Twitter feed) and the contrast between Cummerbund’s ridiculous, outdated manner and activities, and the short functional format of Tweets, is genius. Some choice snippets:
“Fusty Montgomery borrowed putter. Twigs in the
marmalade. Mrs C went shopping. Staff nervous.
Eggs overcooked. Monkey of the day: gibbon. “
“Toast has its uses in hand to hand combat. Chum
of mine: Mangrove van Flagbutterer – well meaning
Dutch philanthropist. Breakfast: kedgeree.”
“Aged aunt coming to stay. Attempts to book
holiday in Folkestone have failed. Mongoose
acquired, named Wilf. Cheese: Red Leicester.”
This move from transitory digital messages, to a permanent print publication has an interesting by-product. When the Tweets are placed alongside each other in print form, they resemble diary entries, or, due to the lack of dates, verse; both forms befitting of a Victorian chap.

1 reply on “Diffusion Archive Review: The Collected Tweets Of Brandon Cummerbund”
[…] http://bookleteer.com/blog/2010/10/diffusion-archive-review-perception-peterborough/ http://bookleteer.com/blog/2010/10/diffusion-archive-review-the-collected-tweets-of-brandon-cummerb… http://bookleteer.com/blog/2010/09/ebooks-for-evaluation-and-reflection/ Now, some of you might now be thinking (sarcastically): “Wow, Fred, you’ve discovered the World Wide Web… Congratulations!”. What this little search for information got me thinking about was how these websites operate as a database (à la Lev Manovich) that is used in part to define the eBook as a cultural form. So rather than spend too much time on the history of Diffusion.org.uk, I want to look at how the site is itself used to classify eBooks. This may sound like a particularly dull thing to do, but I think that it is essential since it can not only give us an insight into how the eBook has been developed as a creative tool but also how Proboscis disseminates information about the eBook (which is tied directly to my own research interests). […]