James Leach is an anthropologist at the University of Aberdeen who has conducted field-work in Papua New Guinea for approximately 17 years. I recently spoke to him by Skype to talk about a project which also involved two of his friends, Porer and Pinbin from the village of Reite, who had travelled to the UK in August 2009. Part of their visit to London included participating in the British Museum’s Melanesia Project. This project was designed to gain insight into the BM’s ‘largely unstudied’ Melanesian collections. Although I won’t get into to too much of the project’s overall aims and process (see both James’ work and the BM link for more details), part of the project involved inviting people from different areas of Melanesia to provide context about the objects in the collection by explaining how these objects are made, are used, and what their significance is. The exchange also represented an opportunity for the BM to build new relationships with the populations from where these objects originated.
Sample project: Melanesia Project
According to James, both Porer and Pinbin knew a lot about materials and the ways in which some of these objects were made which meant that the exchange could lead to some fascinating insights. Having worked with James in the past, they were also familiar with how to work with anthropologists.
As part of the exchange, James invited Giles Lane to drop by and demonstrate how to use the eBooks to record the event. Giles showed them all how to put the eBooks together and also brought a small portable Polaroid printer that could quickly and easily print digital pictures in a small format that could then be glued onto the eBook pages.
This was certainly a case of using the eBooks to capture information (see here for previous post where I introduce what I mean in by this) – in this case James described using the eBooks as a way to produce a realtime record that involved “capturing the moment of what we were doing and what we were seeing”. Representatives of the BM were also recording the exchange but using the eBooks served as a complimentary archive of what had happened. While the exchange was taking place, James would write down some of what Porer and Pinbin were saying in both English and Tok Pisin next to the images glued down in the eBooks. The addition of the eBooks to the process was partly challenging for James because it involved an additional set of tasks in an already hectic and brief exchange. Nevertheless, James felt that it proved to be a positive addition to the session because it provided a better record of the process of the exchange itself. He felt that although other methods for collecting and presenting information were better suited to the documentation of the knowledge being imparted of the objects by his two friends, the way in which the eBooks were used provided a simple, quick and accessible way of sharing what had taken place during the meeting.
Later on, the eBooks were re-scanned and subsequently reprinted into the professionally printed and bound version of the eBooks. James then distributed copies of the new books in Reite as well as at the local University in Papua New Guinea, and other regional institutions who were interested in what they had been doing. The eBooks were useful for giving people a feel for what had taken place, particularly for people who were unfamiliar with anthropology as a discipline.
Challenges, recommendations and suggestions
James used a wonderful way of describing his work as an anthropologist as being comprised of “moments”. He felt that the eBooks were used at the right moment in the process of conducting this type of research. Although he was unsure as to how this type of practice could fit in other parts of his work, he could see how this process would be helpful in situations requiring the documentation of how people “respond to images or information for themselves”.
He also suggested that as objects in themselves, the professionally bound versions of the eBooks were useful as a way to disseminate general information about the exchange:
“[…] As something to give people, they’re an extremely nice thing. People are very keen. I also took some to an anthropology conference before I went [to Papua New Guinea] and would show them to people and they’d immediately say “Oh, is that for me?” People kind of like them. They’re nice little objects.”
However, since many people of Papua New Guinea don’t have access to Internet, resources like Bookleteer or the Diffusion website proved to be significantly less of an advantage for distributing this information (they obviously can’t download a copy of the eBook).
I want to come back to the way James used the idea of “moments” to describe his work and apply it to the way in which the eBook was designed and used. We could say that each project I have described to date was composed of a series of moments and that nested within these projects was the eBook component which in itself was composed of its own series of moments. In reference to my previous post on the distinction between capturing and publishing, the trajectory of how eBooks were designed and used in some of these projects was composed of both capturing and publishing moments. For example, the way in which the eBook was used on the Melanesia Project included both a capturing moment as part of the exchange with the British Museum and a publishing moment in which Giles and James printed-out scanned copies of the original eBooks and made them available online or passed hardcopies out to people who were interested in learning more about the project (or, in some cases, who just wanted to get their hands on a free neat little object).
These series of moments were significant because they each involved different challenges and successes. In James’ case, it seemed both the capturing and publishing moments proved valuable – in the case of the former as a way to capture “the moment of what we were doing and what we were seeing” during the exchange, in the case of the latter as a way to distribute printed copies of the eBooks. But both capturing and publishing in this particular case also faced challenges that suggested there were some additional key moments that made-up an eBook’s trajectory as part of a project. Here are two moments that I want to add to describe an eBook’s trajectory:
Appropriation: James had only a cursory knowledge of how the eBooks worked before the exchange took place. In other cases, (for example see Ruth Sapsed’s work with Cambridge Curiosity and Imagination) we saw how people had attended “Pitch-up and Publish” events as a way to test the eBooks and decide whether or not they could fit into the way these people executed their projects. For the Melanesia Project, James took the risk of adding the eBooks as an extra element to the project in part because he trusted Giles’ work and his abilities to adapt the eBooks to these particular circumstances. In this case, therefore, moments of appropriation and capturing took place at the same time. I will therefore use appropriation to describe how people decide the way in which eBooks relate to their pre-existing practices for capturing and publishing information.
Design and printing: It may seem that “design and printing” and “publishing” should be categorised as part of the same moment. The reason for making the distinction is that I want to highlight how the physical process of composing the eBook’s pages and physically making the eBook, whether it be printing it out or cutting and folding its pages into a notebook, are distinct from the publishing category I defined earlier. Both capturing and publishing necessarily involve designing and printing an eBook. But the way in which they are designed and printed and the way in which such a design will be evaluated as part of the project will likely be very different.
Of course, in making-up these four distinct analytical categories, I may be over-emphasising distinctions between moments that are in fact all bundled-up and confused in time and space. But the reason for making these distinctions is so that I can begin to develop a typology of how eBooks are part of all of these very different kinds of projects.
Next time, I’ll examine the Diffusion website in greater detail.