Selected by writer and journalist Bill Thompson, this eBook compiles three of Samuel Johnson’s essays in a slim, portable format; Rambler 2, pondering the nature of ambition and self-deception, Idler 48, in which he speaks of how we ‘play throughout life with the shadows of business’, and Adventurer 95, exploring the process of writing and original ideas. As Bill says, “They are the perfect refuge from the blogosphere and, since they require no external power, excellent for those long journeys when your laptop battery dies before you reach your destination and the only discarded newspaper to hand is yesterday’s Daily Express.”
A collection of 36 short stories by Saki (Hector Hugh Munro), each an individual eBook, the tales in Beasts and Super-Beastsdeal mainly with “the presence or role of an animal and its relationship to the humans in the narrative, acutely dissecting their foibles and pretensions” (an exquisite summary by Giles there). They’re in a similar vein to Aesop’s Fables, albeit shifting the focus from the characteristics of animals as analogies for the noble ways people should behave, to the sharp satire of existing human behavior. First published in 1914, two years before Saki’s death, they can now be freely published, re-printed and read due to the expiration of copyright – generally 70 years after the author’s death in the United Kingdom. In this manner, older texts that might otherwise remain undiscovered by contemporary readers, can be openly enjoyed and shared through modern distribution models and publishing platforms like bookleteer and Diffusion.
As part of the City As Material series, after being our special guest for the Underside event and helping to co-ordinate the resulting collaborative eBook, Layered, Alexandra Deschamps-Sonsino was asked to produce an individual effort. She created Deep City, an attempt to “extract the individual elements we see in cities over and over again, to help me develop some sort of vocabulary for the cities I know and love, building blocks that make them all melt into one another”. Containing striking photographs of streetscapes, skylines and various nooks and crannies, accompanied by Alexandra’s thoughts and observations, Deep City is an ode to the cities we live in and their commonalities that we discover over time.
A series of four eBooks created by Giles Lane, “Fragments towards an anarchaeology of Belo Horizonte” showcases photographs taken during walks around the city, as part of the arte.mov festival and symposium in 2009. The books focus on certain features of Belo Horizonte, Brazil, such as its Street Art, the Corners of the city, and it’s Waves (waveforms in Brazilian design). Giles describes them as a “very cursory engagement with Belo Horizonte, its people and life. However, the patterns discerned and organised into thematic eBooks perhaps give a taste or hint of what could be revealed in a deeper anarchaeology” – peculiar niches of the city that might have otherwise been taken for granted, are collected as a body of evidence that highlights their significance, as in Waves. They show some extraordinary examples of Belo’s elaborate architecture and graffiti – download, make and see for yourself here.
I remember as a little girl keeping a diary of what I remember of totally random things, which if I looked back on now, would be quite cringe worthy!
There’s all sorts of diaries available on the market, however a diary is a personal thing and Bookleteer can most defiantly relate to this. Bookleteer allows customisation, meaning a diary can personalised. There’s the freedom to have as many pages and whichever days wanted and put whatever they like into the diary. Additionally making the diary by hand will make it feel more ‘their own’ and special.
Take a look at the example I created below of a front page and the inside.
Encourage your younger relatives to get on Bookleteer to unleash their creativity! A great activity to do over Easter and Summer!
A recently published Diffusion Highlight, The Thetford Travelling Menagerie by Lisa Hirmer and Andrew Hunter of Dodolab, is one of the few eBooks so far to use the A5 landscape format, the end result being particularly striking and accomplished. It stands out amongst the Proboscis bookshelves, aided in part, by the lovely illustration on its cover – a procession of silhouetted creatures in all manner of shapes and sizes.
“The goal of The Thetford Travelling Menagerie is to use stories and images of local animals (past and present, real and imagined) to inspire people in the community to share their perceptions of Thetford today. Our stories and images of animals are offered to trigger memories and tales, a menagerie of beasts to conjure up stories of Thetford, its history of change and its current state of flux. What belongs, what’s been lost, what keeps people away, and what draws them in? What can we learn and share about migration, displacement, settlement and change from the creatures and natural world around us?”
It would be great to see more eBooks taking advantage of this larger format – it allows for greater design and really lends the publication a sense of value. It’s perfect for landscape photography, perhaps even for mini coffee table books if using high quality paper and a capable printer, or the Publish and Print On Demand service.
In stressful times of work and family life, a little ‘you time’ is always good! Yoga, is not only a great stress relieving activity, but great for the body too! If yoga classes aren’t for you or you simply don’t have the time to attend, maybe my ‘Yoga Guide’ can be of help!
I have stuck to the scrapbook idea, which Bookleteer can be used for, over and over again for many different purposes. I like the idea of having a handy guidebook, as it is small enough to fit into a pocket or handbag and can be easily transported anywhere you like. You can even print out more copies from Bookleteer for your friends and family.
Take a look at the mock up of my ‘Yoga Guide’ below.
Each page shows two different yoga poses, beautifully drawn by Mandy (thanks Mandy!) and the name of each pose. Additionally I drew the ‘om’ sign, the Hindu symbol, and is frequently chanted when doing yoga, to create a sense of inner peace and tranquility.
In my last post, I looked at some of the innovative ways eBooks have been made, using a variety of materials. Today, I’m focusing on some interesting printing and layering techniques that I’ve found, in a bid to inspire budding bookleteers.
Xavier Antin has constructed an extraordinary printing chain made from a stencil duplicator (1880), a spirit duplicator (1923), a laser printer (1969), and an inkjet printer (1976) – spanning almost one hundred years of technology. Each uses a single ink from the CMYK colour model, which explains why the book printed through it resembles a series of hazy retro 3D images ; a disorientating, yet impressive effect.
Abigail Reynolds collages different images of the same building or scene, then cuts and fold’s portions of the overlaying paper to produce new representations with depth and occasionally dizzying perspectives. A similar effect could be created with eBooks, by printing on both sides of the paper, and manipulating the top layer. Getting the orientation right would be tricky, but the end result could be intriguing. Anyone up to the task?
Our former bookleteer blogger, Karen Martin, wrote about the effects of using different types of paper when printing eBooks in a previous post, “Paper Selection“, but having just rediscovered a few examples, I thought I’d share them with you again.
Carmen Vela Maldonado created these lovely eBooks by experimenting with different coloured paper and card, as well as cutting out parts and using scanned scraps of paper as backgrounds. So much more impressive then using standard paper, they add a whole new dimension of texture and depth, engaging the reader on a higher level. “A Manifesto for Black Urbanism” by Paul Goodwin, which uses black ink on black card and faint images of urban environments printed onto tracing paper, looks stunning. The map overlays used in “Dusk”, by Saki, also work really well – visual place-marks to a tale defined by its location and references to surrounding areas.
Tim Wright joined Giles and I for our second City As Material outside of London on Tuesday, as we took a trip to Norwich, where Tim spent his early years.
The train from London seemed distinctly commuter-free compared to our journey to Bristol, with only a handful of people in our carriage. We bagged table seats, and sat down to some much needed coffee, battling against the dreary weather outside. Mucky, sepia-tinted windows gave the landscape outside a grainy, nostalgic vibe, the perfect accompaniment to tales of Tim’s childhood in Norwich.
Arriving there, after setting up the GPS tracker and sound recorder Tim had brought, we walked down the main stretch of tacky nightclubs and kebab joints, possibly not the best introduction to the city. However, we soon spied Norwich castle, a curious structure, almost too uniform and perfect considering it dates from the 11th century. Tim said it looked like a fairy-tale castle, a manifestation of the first thing you’d see when you heard the word “castle”. Next to it, a space-age cylindrical lift ferried visitors to and from the lower levels – a bizarre combination.
We descended to the city centre, passing the market, towards Elm Hill, a historic cobbled lane with houses and shops dating from the Tudor period. This amazing street is home to the Strangers Club, set up to entertain those from outside Norwich, and where Tim’s father regularly took him to lunch. I couldn’t resist a peek through a lofty window, and was greeted with the sight of a woman carrying flagons from the kitchen, hastily ducking before she noticed. Further up, the window of an antique and curiosity shop in a side court displayed Crowley-esque goat horns and all manner of surreal exhibits.
After passing through the beautiful cathedral and it’s ornate cloisters (and a hilarious sign outside which read “We apologise for the untidy appearance of these ruins”), we popped into the Writer’s Centre, recruiting Chris Gribble briefly as our tour guide. He mentioned that Norwich was barely affected by the industrial revolution, apparent in the structures pre-dating it which are so common. We cut through the shopping centre, past the cinema where Tim first saw Star Wars, and arrived by a huge derelict building adorned with a giant graffiti mural; originally zoned for development, but now a victim of the property crash. A dystopian counterpart to the medieval niches of the city.
Before departing, Chris recommended The Window, the “world’s smallest coffee shop” (appropriately next to the “UK’s best pizza and kebab” shop – a dubious claim). After lunch in the refreshingly different Cinema City dining rooms (housed in a building where parts date back the the 14th century, yet the courtyard is sheltered by a modern glass roof), we stopped by. It resembles a tiny kitchen, with only a small bench and a chair or two to perch on, but has a great atmosphere. We chatted with the owner and several locals, and left with the after-glow of a dynamic and friendly venture trailing behind. Tim’s previous statement that nothing much had changed since he left, and that the pulse of the city was definitely on the slow side, had a small, yet charming, contender.
All day we had noticed plaques underneath various street signs, some with slightly vague origins; the phrases “may have been named because” and “could be” were used an awful lot. Paired with peculiar names, such as “Rampant Horse Street” and “Tombland”, these gave us the idea of perhaps creating some Storycubes with street-sign images, and fictional explanations on the other side, which could be fun. We were also interested in using GPS data and sound recordings from the day for an eBook output, particularly Tim’s childhood memories, and the peaks and lulls in conversations when passing through certain areas, so that we could contrast the physical experiences with raw data, examining the correlations and disparities. We’ll be starting work on those soon, so keep an eye out on Diffusion.
