“Magazine Library is a travelling series of events and exhibitions that celebrates print culture in all its forms, and it returns this spring for a 10th edition! For Magazine Library 10 – held for the first time at Hillside Terrace in Daikanyama – the basic premise of introducing innovative and hard-to-find international titles to Japanese audiences will continue, but this time accompanied by a series of workshops, installations, markets, and various live events.”

Check out the Magazine Library Facebook page and Flickr.

A very clever idea, this.

DOG EAR is a magazine in the form of a concertina bookmark, with ten slim pages of writing and illustration selected from online contributions. It’s available for free from independent bookshops and libraries (cunningly hidden between the pages of books to perk up surprised readers, I like to imagine).

I love the way the content must fit the unusual dimensions of the magazine. Rather than being a restriction, it seems to inspire imaginative uses of space, containing drawings akin to comic book panels, and flash fiction. There’s also snippets of funny overheard comments and quote-worthy status updates, the latter making messages borne on the most transitory of mediums appear more like transcribed responses from interviewed authors, or the one-sentence reviews that adorn film and theatre posters, simply by harnessing the fleeting digital in print.

DOG EAR reminds me of “reverse shoplifting”, where people plant copies of their books in shops or libraries – subversive D.I.Y distribution. I fancy the idea of self-publishing writers creating their own collections with bookleteer, then quietly slipping them into the bookshelves of esteemed literary establishments. Using any means to spread the word.

Zineage Kicks is a behind the scenes look at a number of the early Zines of guest contributors, chronicling their conception and what it took to get them made via interviews and testimonies. It’s a side of small scale publishing that rarely gets heard, unlike the wealth of talk that surrounds the inspirations and working practices of mainstream writers, artists and designers, and might surprise people who perceive Zines to be generally low-consideration, offhand artefacts. The blog seems to have been started a few months ago, but already I can see it becoming a regularly visited bookmark, especially due to the parallels with our latest series of eBooks, Material Conditions.

Oh, and I left the most obvious comment to last… great name, eh?

Coincidentally, this morning we’ve been developing our proposal for a digital “sketching tool” for collaborative book production, using content gathered from events such as City As Material. This will allow participants to aggregate and curate content from different sources, annotate and tag via themes, then automatically produce draft eBooks for shared discourse and the exchange of ideas, fostering interesting discoveries which will inform later publications.

Archizines Live starts at 8pm in the tunnel entrance, but is just one of many features of the night, this month focusing on “contemporary graphics, typography and illustration through the lens of independent publishing”. Come along!

Aside from the obvious wealth of interesting content, particularly relevant to City As Material, I think this could act as a valuable resource of inspiration and how-to knowledge for those wanting to create their own publications, thanks to the level of detail attributed to each exhibit – I can only hope more archives like this are compiled in the future.

]]> https://bookleteer.com/blog/2011/09/london-art-book-fair-picks/ Fri, 30 Sep 2011 11:32:14 +0000 http://bookleteer.com/blog/?p=5022 I paid a visit to the London Art Book Fair last Saturday at the Whitechapel Gallery, and have finally got around to writing a brief piece about it now – we’ve been swamped in the studio.

Along with large publishing houses, the fair played host to a number of small publishers and unique handcrafted artists’ books. A few of my picks…

Ruth Martin‘s charming fold-out creations.

Vicoria Browne’s (founder of Kaleid Editions) amazing sculptural pop-up book, ‘Dark Matter’.

This interesting cork cover from a/b Books (artist unknown).

Apologies for the meagre amount of photos – after taking a handful, I discovered photography was apparently FORBIDDEN. Bah.

“THE BRISTOL COMIC AND ZINE FAIR

When: Sunday 25th September 2011, 12pm – 6pm
Where: Start the Bus, 7-9 Baldwin Street, Bristol, BS1 1RU (map)

FREE ENTRY

The Bristol Comic and Zine Fair brings UK self-publishers together for a one-day market, offering a wide array of comix, zines and other alternative publications. There will be stalls from individual creators, and a communal table full of work from across the small-press underground.”

It’s run by Bear Pit Zine, who describe issue 1, “Upheaval” as a “collection of comics, narrating various disruptive possibilities, imaginations, and alternative futures for the city of Bristol.” This strikes a chord with the sort of themes Proboscis have explored in the past, and aim to do in the future. I’ve just ordered a copy, as we visited Bristol as part of the City As Material series – it’ll be interesting to see an insider perspective.

There’s also…

THE SHEFFIELD ZINE FAIR, at Brezza, 10-14 Wellington Street, Sheffield, S1 4HD, from 11am to 6pm. Get in touch via sheffieldzinefair@hotmail.co.uk.

This couldn’t be more true for anyone viewing Ying-Chieh Liu’s reprinted sketchbooks, containing stunning, ethereal illustrations from her numerous travels. It’s an interesting concept to reproduce a personal sketchbook (in I assume, its raw form), without interpretation or much of a narrative, but when they contain such intriguing artwork it’s hard not to be engrossed.

View her Etsy store.

Preview it here, and buy it from her Etsy store.

An offshoot of City As Material, Sketches In The City is an occasional series of observational expeditions in various locations across the capital. Mandy, Radhika and I sketch, take photographs and write poems and prose to form a collaborative eBook with underlying themes. Focusing mainly on people and interactions in public places – places that shape, and are in turn shaped, by the people in them – we’ve produced two books so far, and are working on a third.

Sketches In The City was our first attempt, created as a result of visiting the busy Victoria and Waterloo train stations – places which reveal an interesting insight of the human character when bored or stressed. Highlighting the material we collected on the day, this tidy scrapbook was an playful experiment with little interpretation or narrative, letting us take the time to view hectic environments from a different perspective than usual and refine our creative processes.

Sketches In The City: British Museum showcases the unique architecture and exhibits in the British Museum, looking at how visitors observe and interact with them and one another, as well as their grasp on the intangible knowledge that exists amongst that which we can see and touch.

Read them on Diffusion.

You can view a preview here. To get a copy (assuming she hasn’t run out, which wouldn’t surprise me) e-mail her at helenvine@homail.co.uk.

It’s available here.

Its a beautifully surreal and cinematic illustrative zine, making use of double spreads to convey an amazing and disorientating sense of perspective. I love the bizarre imagery and the shading – it’s like a dream (or nightmare) rendered in a book.

It’s available to order here.

Alexandra had suggested visiting the 4D Model Shop round the corner, to pick up some materials to work with along the walk. After acquiring  some unusual knick knacks, including miniature models of Barack Obama and the first lady, and a polystyrene egg (clearly novelty triumphs over practicality every time), we set off.

We were particularly interested in hidden flows in the city, and the alternative uses of the networks that these travel within. Alexandra speculated over what would become of BT’s phone lines in the future, once technology had outgrown their capability. Giles explained the history behind manhole and coal covers, and the abandoned infrastructures London rests upon. Our walk took us through side streets some of us had never traveled through, and the slow pace highlighted quirky features dotted around the city that are ignored in frantic daily routines.

During lunch, we fiddled around with our bounty from 4D, and after Alexandra experimented with using different props she had made against the backdrop of the Barbican, a place containing vast expanses, though also riddled with unusual nooks and crannies.

Once at the studio, we started to form the eBook, sketching the layout and deciding how the materials we had gathered during the day could work within our theme. We are in the process of creating it, so look out for the Underside eBook on Diffusion soon, and keep track of the discussion online with the #cityasmaterial hash tag on Twitter. You can view all our photos from the event on the City As Material Flickr page.

Our final Pitch In & Publish: City As Material event, “Sonic Geographies” is on the 10th of December. Book a place here.

It’s available here.

The use of purely primary colours lends a really nice uniformity and iconic tone to this zine; it’s quite visually arresting. I’m looking forward to seeing what Ryan creates next.  “Another Way” is available here.