Material Conditions: Epilogue is both a companion to those books – for those who read it, for the artists involved – and, as a pleasant paradox, an introduction for those who are not familiar with them. Five of the original contributors – Sarah Butler, Jane Prophet, Karla Brunet, Janet Owen Driggs & Jules Rochielle and Ruth Maclennan – have created new pieces for this publication, as they look back on the series, reflecting on their book and those by the other artists. Far from mere commentary, these responses are works in their own right, and are as poetic and profound as the initial eight books.

It’s also the first publication to launch the Periodical, to suggest the kind of iterative and experimental forms we hope to see being made and shared with bookleteer. As Giles stated eloquently in his ‘manifesto of sorts’, we’re striving for publishing as conversation; despite the finality of its title, this book can be seen as only the most recent part of a process. Here’s hoping for more.

]]> https://bookleteer.com/blog/2012/07/more-recently-printed-books/ Wed, 11 Jul 2012 12:11:28 +0000 http://bookleteer.com/blog/?p=6035 Here’s two more books created with bookleteer which have recently been published with our Short Run Printing service.

‘We Are All Food Critics: The Reviews’ was printed for Soho Parish Primary School, so that every child who wrote a review for the Soho Food Feast 2012 could have their own copy and show off their contribution to this beaut of a book. Read more about it here.

‘Don’t Stare At Me’ is a touching book created by Joyce Majiski, documenting a community art project she and Julie Robinson undertook with the Yukon Association for Community Living’s Ynklude group.

Don’t forget: we’ve just slashed the cost of A6 printed books between 30%-50%, and our minimum print run is now just 25 copies. Keep at it bookleteers!

Dispelling the naive notion of a vast land of unified thinking, Shi Cheng (“ten cities”) tells not the comprehensive biographies of each city, but zooms in further, allowing the reader to connect with individual voices on an almost cellular level. Yet, as the editors suggest, when looking this close it’s possible that we can all relate to the universal human themes.

We designed a special eNotebook alongside Fay Maschler, Restaurant Critic of the London Evening Standard, encouraging the children to become food critics and experience the food through all of the five senses. After the event we scanned their reviews and made a sample selection to be published in a compilation eBook (using our Short Run Printing Service) which has forewords from both Rachel Earnshaw (Head Teacher) and Fay. Take a look at the bookreader version below.

Everyone’s already looking forward to next year’s Food Feast and more budding food critics!

Enamoured with the surroundings and bewitched by the box, we followed the routes Tim had set for the day. Walking, talking, and reciting Hardy’s poems from the handy booklet Giles had created, we were struck by how much the box can change the way you engage with the landscape, and the pace and manner in which you travel through it. There’s a grand charm to bearing its burden – carrying the physical weight, as if a stone ferried from the base of a hill to a cairn, and the weight of its words, surrendering to how Hardy saw the world in his mournful state.

The box is just a prototype at the moment, but Tim and Joe are planning to add several more features and capabilities. I can’t wait to clasp it tight once more and be led through the land. In the meantime, we’re thinking of what we will create from the experience and the subsequent discussions, to form part of our City As Material series.

Tim has written an account, and uploaded a host of videos and sounds recorded from the day on his site, which should enlighten and entertain in equal measure. Here’s a teaser…

Axis Design Architects have used bookleteer once again, this time for ‘Community Consultation & Neighbourhood Planning’, which showcases their work with residents during design processes (they even mention using our blank Storycubes during workshops!) as well as ‘BIM and the Affordable Passivhaus’, detailing a recent collaborative project.

Cambridge Curiosity and Imagination have also created this lovely book, entitled ’37 Shadows: Listening to children’s stories from the woods’ – a collection of stories gathered from class trips to a local park.

If you’re thinking of using bookleteer to create your own books, we’ve just slashed the cost of A6 printed books between 30%-50%, and our minimum print run is now just 25 copies. Check out the price estimator to see how much it would cost you. Get cracking!

Participants will embark on walks along a specific route with a crafted wooden box, embedded with smart technology, ‘haunted’ by the legacy of Hardy’s poems. Able to speak, play recordings of poems, conversations and music, capture sounds and react dynamically using geolocation, the box will enhance and document their experiences.

On Tuesday 19th June we’ll be joining Tim and box developer Joe Flintham (amongst others) in Dorchester to try it out in the field – a day of ‘recording, beta testing, walking and talking’ – forming a book (or series of books) on what happened, ideas discussed, and creative responses to the walk.

For a detailed description of the day, check here – it would be great if you could join us.

Giles showcased two great examples of bookleteer portfolios in an earlier post; here’s another.

The unique and much-loved theatre company Cartoon de Salvo (currently enjoying major acclaim after their recent shows Made Up at the Soho Theatre and The Irish Giant at Southwark Playhouse) used bookleteer to create The Stories So Far…, an ebook of photos celebrating their production history:

They’ve also used bookleteer to document their Hard Hearted Hannah series of improvised stage stories, which you can read on Diffusion here.

We’ve just published our latest entry in the City As Material series: ‘Professor Starling’s Thetford-London-Oxford Expedition’ – three books documenting the investigative excursions of Professor William Starling and his research team (Lisa Hirmer and Andrew Hunter of DodoLab, Josephine Mills of the University of Lethbridge Art Gallery, Lethbridge artist Leila Armstrong, and Giles Lane and Hazem Tagiuri of Proboscis) during his trip to the United Kingdom in Feburary, where he sought to examine the rapid disappearance of the European Starling in contrast to the continued expansion of its North American cousin.

The first volume, Perquisitions, contains descriptions of the various participants’ thoughts on the expedition and its rationale. Congeries showcases selected items and ideas collected during their travels, and the final volume, Speculations, offers reflections and fantastical musings on the material gathered and testimonies heard.

Purchase a limited edition copy complete with specially printed ribbon here.

(Read the accounts of Thetford, London and Oxford on the blog)

After concocting a brilliant, Terry Pratchett inspired scenario for future book technologies to diffuse any stale printed vs digital debates, Harkaway outlines what he believes is the real manifesto for books:

          “What is the future of the book? A physical object which communicates with the digital realm; a paper book which has an electronic shadow. A hybrid which sits easily in the on and offline world. 
”

Couldn’t have put it better myself.

We’ll be encouraging children from the school to sample dishes and become food critics for the day, capturing their responses with a specially designed bookleteer notebook illustrated by Mandy and introduced by Fay Maschler, restaurant critic for the Evening Standard. We’re also going to compile a book of the best reviews which will be sold to raise money for the school.

The line-up is beyond tantalising, and needless to say, it’s all for a good cause. Nom nom nom!

Take a peek at the notebook below.

It caught my interest as Giles and I have written a ‘speculative fiction’ piece for City As Material 2 (part of our collection of investigations, observations and musings on the cities we visited with Professor Starling, Dodolab and co, almost ready to go to print) which is rooted in distinct locations and events and informed by real-world experiences.

Despite all that flows in and out of these places over time – and indeed Hackney – they seem to maintain a certain character which influences those that live in them or pass through, seeping into creative works regardless of the author’s intent. I’m looking forward to picking up a copy, and will be keeping a keen eye out for the next offering from Influx Press.

Read a nice little interview they did with BookMachine here.

“Magazine Library is a travelling series of events and exhibitions that celebrates print culture in all its forms, and it returns this spring for a 10th edition! For Magazine Library 10 – held for the first time at Hillside Terrace in Daikanyama – the basic premise of introducing innovative and hard-to-find international titles to Japanese audiences will continue, but this time accompanied by a series of workshops, installations, markets, and various live events.”

Check out the Magazine Library Facebook page and Flickr.

Cue lengthy pause for breath.

Aside from being a fascinating read, it chimes with our aims for the City As Material series – to temporarily put aside our daily travel routines and concerns, the well trodden routes and second nature responses to familiar buildings and spaces, so that we may discover hidden facets of the city and in turn create work inspired by them. Instead of being blindly directed by technology, we use it to document our shared experiences, and evoke new forms of engagement with the places we live in and roam.

Speaking of which, we’re just in the process of finishing the books from City As Material 2. Stay tuned!

‘Tangled Threads’ was an eBook designed to act as a film storyboard, as part of Proboscis’ Sensory Threads project. Scripted by Karen Martin and Alice Angus, and illustrated by Mandy Tang, the book is a series of intricately rendered scenes and captions, but the real draw is how Mandy has incorporated pop-up inserts at the back which the reader can cut out and assemble, adding new layers of depth to the pages.

You can have a peek at the digital version below – minus pop-ups, of course – and read posts from Karen and Mandy explaining how it was made.

Download, make and read ‘Tangled Threads’ for yourself.

It will be shown in New York City on the 17 April – 9 June 2012 at the Storefront for Art and Architecture

& in Berlin on the 28 April – 26 May 2012  at do you read me?!.

So, international bookleteers – do pop in, and check out the rest of the collection.

A very clever idea, this.

DOG EAR is a magazine in the form of a concertina bookmark, with ten slim pages of writing and illustration selected from online contributions. It’s available for free from independent bookshops and libraries (cunningly hidden between the pages of books to perk up surprised readers, I like to imagine).

I love the way the content must fit the unusual dimensions of the magazine. Rather than being a restriction, it seems to inspire imaginative uses of space, containing drawings akin to comic book panels, and flash fiction. There’s also snippets of funny overheard comments and quote-worthy status updates, the latter making messages borne on the most transitory of mediums appear more like transcribed responses from interviewed authors, or the one-sentence reviews that adorn film and theatre posters, simply by harnessing the fleeting digital in print.

DOG EAR reminds me of “reverse shoplifting”, where people plant copies of their books in shops or libraries – subversive D.I.Y distribution. I fancy the idea of self-publishing writers creating their own collections with bookleteer, then quietly slipping them into the bookshelves of esteemed literary establishments. Using any means to spread the word.

Zineage Kicks is a behind the scenes look at a number of the early Zines of guest contributors, chronicling their conception and what it took to get them made via interviews and testimonies. It’s a side of small scale publishing that rarely gets heard, unlike the wealth of talk that surrounds the inspirations and working practices of mainstream writers, artists and designers, and might surprise people who perceive Zines to be generally low-consideration, offhand artefacts. The blog seems to have been started a few months ago, but already I can see it becoming a regularly visited bookmark, especially due to the parallels with our latest series of eBooks, Material Conditions.

Oh, and I left the most obvious comment to last… great name, eh?

Although reactions to the Professor during the first half hour of the day were restrained, with students and scholars rushing around us on the pavements or zipping by on bikes with only cursory glances, the route to the high street soon swelled with tourists clutching raised cameras and smart phones, the source of their amusement filtered through tiny digital screens. The more permanent residents of the city seemed to think a theatrical troupe had come to town, or that some odd collegial stunt was at hand. A group of contractors cleaning stonework engaged in light banter, despite clearly being busy, their voices strained over the hum of mechanical equipment.

We entered the Oxford botanical gardens to the patter of drizzling rain, and were greeted by several inquisitive ducks who had wandered from the water, obviously charmed by one of their avian brethren. Minutes later, the Professor was spotted by a gang of children on a school trip and was soon answering frantic questions, handing out cards to tiny delighted interviewees. After chatting to gardeners toiling on muddy patches and being targeted by a potential bird spotter with a huge camera lens, he departed, ambling down quiet side-streets and eventually into the Museum of Natural History.

There were some great scenes here as the Professor was accosted by visitors, prodding at his suit whilst he shared his knowledge of the Dodo and other feathered creatures. We witnessed a high school student gawping at all the taxidermy specimens, loudly asking if they were real, whilst others pressed their noses to the glass cases and shrieked at the preserved contents. It’s likely many people there believed he was associated with the Museum, who despite our initial concerns, were happy to let him wander around.

Giles and I looked around the Museum of the History of Science, containing beautiful early microscopes made from gleaming brass, and intricate astrolabes with mysterious shifting layers. I found a case dedicated to the origins of the Ashmolean Museum with a sketch of its founding collection, crammed from floor to ceiling – very different from the carefully curated space of today. One statement in particular interested me: “Not everyone liked the early Asmolean Museum. Some visitors were shocked that access was not restricted to scholars and gentleman”. Prior to our outing we had talked about the migration of knowledge, namely what routes and structures it travels through in a city of prestigious institutions, and who in society has access to it, especially in earlier times. The Ashmolean’s open door policy from the outset felt like an open challenge to a belief that certain information was the preserve of the academic elite and the upper classes.

Professor Starling’s next destination was the river, where we saw the college rowing teams in the midst of practice, whole boat-fulls staring in unison towards the bank and momentarily easing their grip on the oars. A river steward told him that she thought Starlings were likely to gather in nearby areas, but he had arranged to meet everyone else back in the market where we had started the day. Dodging a hectic stream of bicycles along the narrow path, we walked back into town and browsed the stalls.

Here, the Professor met a character with facial tattoos and a piratical grin whose name was allegedly ‘Raven Hawk’, and discussed Starling sightings with a knowledgeable trader. It’s great that the market, our final area for the day, yielded quite a few people who were eager to engage. On top of this, Josie and Leila said they had been shown around the amazing Pitt Rivers Museum earlier by an associate, telling of numerous priceless artifacts half-hidden in the niches.

Whiling away the time until shops started to shut and evening crept in, we took refuge in the Turf Tavern for food, beer, and to share the highlights of our Thetford–London–Oxford expedition.

Read accounts of the previous visits to London and Thetford.

The eBooks inspired by City As Material 2 are in production. Look out for them soon.